Rell never imagined an 18th birthday like this.
When Rell’s stepmonster Regina summons her to Lauele, Hawai’i, she knows better than to expect umbrella drinks, birthday presents, and open arms. The most she hopes for is some quality time with her twin step-sisters, a walk on the beach, and a little fun at a charity auction sponsored by her father’s corporation.
From the moment Rell lands in Honolulu, her life turns upside down as she reconnects with her Hawaiian heritage and discovers she’s surrounded by hidden agendas, lies, and ancient family obligations.
To save Lauele and Get Wet Prosthetics, Rell will have to navigate an island filled with Menehune day laborers, a snow goddesses’ vacation rental, a toppled sacred ‘aumakua stone, disappearing clothing, ‘Ilima as a not-so-fairy-godmother, and—worst of all—her stepmonster’s lawyers.
Rell’s Kiss is a standalone novel inspired by Cinderella. It is Book 2 in Lauele Fractured Folktales, reimagined stories inspired by the world’s oldest tales retold with a Hawaiian twist.
Lauele Fractured Folktales are loosely connected standalone stories in the Lauele Universe that can be read in any order.
Rell’s Kiss features characters from the Niuhi Shark Saga trilogy and other works by Lehua Parker. Chronologically, Rell’s Kiss comes after the events in One Truth, No Lie, Book 3 in the Niuhi Shark Saga trilogy.
EBook available from Amazon and Kindle Unlimited. Paperbacks coming soon!
An earlier version of this story was published as Rell Goes Hawaiian in Fractured Slipper, a collection of Cinderella stories published by Tork Media.
When you’re dating a Niuhi shark in human form, there’s no such thing as a casual Hawaiian fling.
The last thing Justin wants is complications. Jilted at the altar, he’s spending his pre-paid Hawaiian honeymoon alone—sort of. Sasha, his ex, won’t get out of his head. Frustrated, he takes a walk at sunset and discovers a beautiful woman asleep on the sand.
But Pua’s not really a woman.
A shape-shifting Niuhi shark, Pua feels compelled to visit the beach at Lauele. She doesn’t care that it’s forbidden by her father, the ocean god Kanaloa, or that breaking kapu can only end in blood, tears, and teeth. Justin’s a tourist. Here today, gone tomorrow.
Nobody’d even miss him.
What starts out as a casual flirtation soon turns into a high-stakes cat and mouse courtship as neither Justin nor Pua are who—or what—they seem.
Lauele—and their world—will never be the same.
Pua’s Kiss is a standalone novel inspired by The Little Mermaid. It is Book 1 in Lauele Fractured Folktales, reimagined stories inspired by the world’s oldest tales retold with a Hawaiian twist.
Lauele Fractured Folktales are loosely connected standalone stories in the Lauele Universe that can be read in any order.
Pua’s Kiss features characters from the Niuhi Shark Saga trilogy and other works by Lehua Parker. Chronologically, Pua’s Kiss comes before the events in Birth/Hanau and One Boy, No Water, Book 1 in the Niuhi Shark Saga trilogy. It tells the story of how Zader’s parents met and the events that ignited the Niuhi Shark Saga trilogy.
EBook available from Amazon and Kindle Unlimited. Paperbacks coming soon!
An earlier version of this story was published as Pua’s Kiss in Fractured Sea, a collection of Little Mermaid stories published by Tork Media.
“Gamble” is a new short story I wrote that’s coming out in an anthology called Grifty Shades of Fey, published by Fiction Vortex.
It’s a noir story, kinda like a something from the 1950s in tone. “Gamble” is about a mortal named Jace, the goddess of Chance, a kidnapped woman about to be whisked away to another dimension by some serious baddies, and a pair of dice that reveal whether a venture will be successful–or not. There’s nothing particularly Hawaiian in this one, but it was a lot of fun to write.
Grifty Shades of Fey features stories about fairies, brownies, and other creatures that go bump in the night by best-selling fantasy, horror, and speculative fiction authors. It’s only available for a short time in hardback, paperback, and eBook. Click on the link below to order your copies in time for Christmas.
A Song for the Stars by Ilima Todd is set in Hawai’i in 1779 at the time of Captain James Cook. It tells a fictional story of John Harbottle, an English officer serving as the Hawaiian translator for Cook, and Maile, the second daughter of Kalani, the ruling chief. When Cook and his ships return unexpectedly to Hawai’i, important navigational instruments and maps are stolen. There’s a battle on the beach, and lives are lost on both sides. Against her better judgement, Maile first nurses, then teaches John ancient Hawaiian wayfinding techniques to help the British sailors return home. Meanwhile, John’s men teach Kalani and his warriors how to fight with western guns to defend their village from an imminent attack from Wai’ole, an island to the south.
If your head is spinning, chillax. It’s historical romance, not a history book. Ilima takes several liberties with the historical timeline, geography, and Hawaiian cultural protocols to tell a story that appeals to both a Hawaiian and mainland audience. It’s a “what if” story with roots in Ilima’s own family history. The real John Harbottle was instrumental to Kamehameha I in 1795 during the Battle of Nu’uanu on ‘Oahu, an event more than 15 years in the future from Cook’s landing in 1779. In gratitude, Harbottle was gifted a high-ranking bride. A descendant of the real John Harbottle and his high chiefess wife Papapaunauapu, Ilima wanted to explore what it would be like to be “given” to a foreigner in marriage. While her original “what if” idea and family history are the genesis of her novel, the book’s themes and plot stretch well beyond those initial inspirations.
Ilima breaks with the historical record in ways only someone who has studied Hawaiian culture and history will catch. Foremost in her mind was her audience. A Song for the Stars is part of Shadow Mountain’s Proper Romance series and is marketed to regency romance readers who expect a specific kind of story–and Ilima delivers. Maile, her heroine is strong, independent, and capable. John is honest, forthright, and tender. It’s a story of equals from different cultures that deftly avoids the noble savage and white savior tropes so common in cross-culture stories. We see the main story from Maile’s point of view interspersed with John’s point of view from excepts from his journal, a technique that helps the reader appreciate the deeper cultural consequences of the characters’ actions.
Many reviewers compare A Song for the Stars with Moana, which I understand, but find extremely frustrating because the stories aren’t similar at all. The comparison points to the dearth of authentic stories about Polynesians in mainstream media. We need more books that challenge expectations, more island voices redefining Pacific Literature for modern audiences. Mahalo, Ilima, for blazing a new path. I mua! Can’t wait for the next one.
When I was a kid, my mom used to work for Longs Drug, a store with a pharmacy and a little bit of everything from snacks and groceries to cosmetics and fishing lures. Mom was an accountant, usually in her office upstairs and behind the one-way mirrors that ringed the back of the store and looked out at the shoppers below. My sister and I waved at ourselves in the mirrors like idiots every time we walked in.
Occasionally, when they were having a big sale or short-handed, Mom used to cashier. Back in the ’70s, people worried less about titles and job descriptions and more about keeping a job. On big sales weeks when she knew she was going to cashier on Saturday, she’d make us quiz her on the items and prices as we cleaned house, folded laundry, did the dishes. She had to know the ads cold because back then there were no scanners or bar codes.
And planny people get huhu if the haole lady cashier no can remembah if Spam was 32 cents or 43.
I loved it when Mom brought home foreign coins mistakenly spent by tourists and accepted by cashiers. (Really? This one has a hole in it, five sides, and is bigger than a quarter. How did someone not see this?) I kept them in an old mason jar on a shelf in my room. But my fondest memories of the years she worked at Longs are about Easter. Every Easter Sunday, the whole store had a potluck picnic at the beach. The store managers–half-baked from too many Primos and not enough pupus–had all the kids run relay races, and the winners got baskets with chocolate Easter bunnies bigger than their heads. I never won the big baskets, but I can still taste melty, waxy chocolate and the hard yellow sugar eye from the Palmer’s runner-ups.
So I feel like I know a little bit about the kinds of folks who shop and work at Longs.
But not as well as Lee Cataluna.
In the pages of Lee’s collection of flash fiction stories, you’ll find neighbors, friends, aunties, uncles, and even local, ahem, collection workers and former disco queens. They’re all there, shopping for unmentionables, looking for love, and just trying to get through one more day. Lee’s gift is the complete picture she draws with minimalist brush strokes. We fill in the details, the backstories, the motivations, and the ultimate consequences and conclusions to her stories because these people are us. Lee has a fine ear for Pidgin and she uses it to bring to life people that we immediately recognize as prep school kids, tutus, popos, thugs, cops, and everything in between.
And the stories are bus’ laugh hilarious, poignant, and true. I can’t recommend this book highly enough.
Folks You Meet in Longs and Other Stories by Lee Cataluna is published by Bamboo Ridge Press and is available as a paperback and eBook from Amazon. Click on Lee Cataluna to find out more about her and her amazing stories on her website.
Children live in unseen spaces created by contradiction. Freckled is a raw, compelling, and ultimately hopeful memoir of growing up haole on Kauai where the idyllic freedom to surf, climb trees, and play Barbies runs counterpoint to a reality of homelessness, food insecurity, prejudice, violence, and the need be the adult when parents can’t. At times a celebration of the best within each of us as well as a witness of both human frailty and resilience, T.W. Neal’s memoir is a must-read for those Hawaiian and Hawaiian at heart.
As outrageous as of some of the events may seem to outsiders, I know firsthand of the truth she speaks. Hawaii in the sixties, seventies, and eighties was undergoing profound cultural change. A lot of anger and pain was being released against the real abuses of power and theft of land in previous generations. Unfortunately, a lot of that anger got poured onto the heads of haole kids, kids with fair skin, light eyes, and blonde or red hair.
Too frequently the very adults charged with protecting all kids—teachers, coaches, school officials—turned a blind eye to systemic bullying. In my case, adults were often complicit and encouraged the abuse. Kill Haole Day at Kahului Elementary was every Friday. Teachers taped 18 inch squares on the floor of the classroom and required me to stay in them all day. I didn’t even have a desk like the other kids. At recess, I escaped to the library until the librarian made me go to the playground. No other kids, just me. It’s not an exaggeration to say people would go to jail now for what happened to me in elementary school.
Neal’s experiences only differed from mine in that her parents never assumed she would fit in. Like Neal, salvation for me came in the form of private schools that encouraged me to grow academically. Ironically, I fit in better at The Kamehameha Schools—a private school for native Hawaiians—than any public school I went to.
There’s a lot of cognitive dissonance in knowing your family farmed taro for generations on land that was stolen by missionary descendants and tended by immigrants from Asia, while the descendants of those immigrants are kicking your ‘okole daily and calling you haole crap—basically, foreign trash. People who claim racial prejudice and elitism are only white issues have a very narrow and limited view of the world.
But that’s another blog post.
People tell me how lucky I was to have grown up in Hawaii. And they’re not wrong. In her memoir, Neal weaves a lei of a typical island childhood complete with surfing, exploring rain forests, hula lessons, and walking the reef. It’s those wonderful moments of adventure that serve as counterpoint to the grimmer challenges of her parents’ mental illnesses and chemical dependency that as a child she had to recognize, mitigate, and manage.
At its core, Freckled by T.W. Neal is a story of hope and a narrative of the triumphant nature of a beautiful, intelligent young girl who didn’t listen to the voices and circumstances that told her she was anything less than all she could be. It’s a universal journey, a coming of age story wrapped in ti leaves. Readers may never look at Hawaii the same way again. It’s an important work that I predict will be a touchstone in Pacific literature for generations to come.
“Maverick” is a short story that was originally published by Griffin Press in Apocalypse Utah, an anthology of horror stories by Utah authors. I’ve had a request to use it in a class at Utah State University, so Makena Press has reprinted it as a Kindle eBook. It’s a quick read–and has nothing to do with Hawaii.
But the main character is certainly badass.
Here’s the blurb:
In post-apocalyptic Heber City, Utah, an 11 year-old girl searches for ChapStick and magazines in an abandoned Mavericks convenience store and runs into two drifters who get more than they bargained for.
You can pick it up on Amazon for 99 cents.
Mark Panek’s Big Happiness tells the true story of Hawaiian sumo wrestler Percy Kipapa and his tragic murder on May 16, 2005. On the surface, the investigative journalism narrative reads as a mystery, a meditation on what it means to be a modern Hawaiian, and a commentary on the ice epidemic and the tangled Yakuza-Hawaii webs of commerce, money, and prestige. It’s compelling and raw. Knowing one of the key participants personally, I found it both hard to read and tough to put down.
You see, it’s also the story of one of my childhood calabash cousins, Tyler Hopkins.
After I left Hawaii for the mainland, Tyler went to Japan and became best friends with Percy. According to the Mark Panek, who knew the adult Tyler in ways I didn’t, Tyler’s life paralleled Percy’s in every significant way. Big Happiness details how they rose to become professional Hawaiian sumo wrestlers in Japan and what happened after they retired and returned to Hawaii.
I remember when Tyler was first going to Japan. He told me about it at my wedding reception at Mid-Pac Country Club thirty-one years ago, the last time I saw him in person. He was happy, and the extended ‘ohana was excited. Sumo was something my big-hearted and athletic cousin was sure to succeed at. His future was assured. Good for him!
Tyler’s sumo name was Sunahama. Living far from Japan and Hawaii before the age of internet video, it was hard for me to follow his career. Over the years, whenever I met up with my calabash Hawaiian ‘ohana, I asked aunties, uncles, and cousins for updates. Each time I was told he was doing well—first climbing the sumo ranks and then retired and working in Hawaii. Tyler was always on the verge of doing something—tourism with Japanese groups, teaching Japanese, finding his groove as a school counselor, or starting a new business venture.
In Big Happiness, Mark Panek paints a different picture.
I knew to be a foreign sumo wrestler in Japan would be rough. I knew the pressures local kids face to “make good.” I knew how the ideals of sacrifice of self for a greater good—however that’s defined—were ingrained in Tyler. Suck it up was something our uncles told us all the time, and it applied to everything from wiping out on a wave and spitting sand to breaking a bone playing baseball to studying hard in school when playing seemed more fun to never, ever failing to be loyal to ‘ohana no matter what the personal cost.
I even suspected how the Yakuza would be involved.
But what I didn’t understand was ice. Or how much that changed Hawaii in the years after I left. I also didn’t think too deeply about how few opportunities Tyler would have had once he returned to Hawaii. Unlike Japan, there aren’t cushy jobs in corporate America waiting for retired sumo wrestlers.
I’m old enough to know that there really wasn’t anything I could’ve done to help Tyler. But my heart hurts when I remember the kid I had to swim out and rescue when his raft went out too far at Waimanalo Beach or the time we made homemade pizza and Tyler complained I added too much cheese. “No such thing,” I said. “Yeah,” he said, rubbing his opu and the scar he got when he fell through a glass shower door and almost died, “there is.”
But mostly, I can see all too clearly a moment Mark Panek describes during the trial where Tyler almost snaps. I thank God that Mark intervened.
Big Happiness by Mark Panek is available as a paperback and eBook from Amazon. For anyone wanting an insider’s view of sumo wrestling or the life of local boys in Hawaii, this book is a must read. Compelling, real, and full of heart and tragedy, it’s a story of sacrifice, privileges of race and class, and the devastating effects of ice and all the vested interests in keeping the status quo.
Note: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. The following is an excerpt from their review of Rell Goes Hawaiian, one of the five novellas in the Fractured Beauty boxed set. To see the full review, click here.
Tales From Pasifika Review
When Rell comes to Hawaii with her stepmother, Regina, and two bratty and more-than-annoying stepsisters, she realizes it isn’t to celebrate her 18thbirthday. Instead of having fun, she needs to sign papers, take care of her stepsiblings, and do whatever Regina tells her to do.
The girl’s life changes immeasurably when her stepsisters push the sacred aumakua stone into the saltwater pool at Piko Point. Suddenly, with a little help from a special wagging friend, Rell gets more that she has ever wished for.
A contemporary ‘Cinderella’ story set in tropical Hawaii? Why not! You would think that this clichéd theme couldn’t result in anything interesting. After all, we all know how the tale goes. But in this case, you may get slightly surprised.
First and foremost, this novella takes readers back to Lauele Town, so well-known from Lehua Parker’s Niuhi Shark Saga. You get the chance to catch up with the old characters – uncle Kahana, Ilima, Jerry Santos, Tuna to name a few – and get to know them better or see them in a different light. Bringing back individuals from previous novels is always a treat for loyal fans. Especially if the author makes sure to further develop their storylines or add some extra layers to their personalities. What has Jerry, the surfer who witnessed Jay’s accident in the ocean, been doing? Is uncle Kahana still the guiding spirit of local community? And what about Ilima? Could she act as a fairy godmother? Obviously, she could (in Lauele Town, anything is possible), but don’t expect her to be that I-am-here-to-make-your-dreams-come-true type of a godparent. She has her own hidden agenda. Plus, with four legs and a tail she just couldn’t be your ordinary fairy, could she?
Along with the old characters, a few new ones make an appearance. Typically for a fairy tale, there are heroes and villains – and in this case it is not hard to guess who is who. Rell and Regina, the two new introductions and main characters in this story, are plausible and decently crafted, but perhaps too obvious as ‘symbols’; they lack a little bit of substance. But let’s bear in mind this is a novella, so not everything can be achieved.
Now, while the overall plot is somewhat predictable, the specific scenes are not. There are quite a few surprises thrown in, and I have to say they really keep things interesting. Even though you can foresee the ending, you are not able to guess the sequence of events that lead to it. Add to this a tropical island setting, traditional Hawaiian folklore, and a Polynesian vibe, and you get the best Cinderella tale possible.
Reading this story is a pure pleasure. It is a very engaging and even more enjoyable piece of literature, chock-full of Aloha spirit and effortless wisdom, which make it perfect for children and adults alike. So visit Lauele Town; I promise, you won’t regret doing so.
Mahalo, Tales From Pasifika! You can find Rell Goes Hawaiian in Fractured Slipper on Amazon. More in the Fractured Series by Fairy Tale Ink coming soon.
Note: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. The following is an excerpt from their review of Nani’s Kiss, one of the five novellas in the Fractured Beauty boxed set. To see the full review, click here.
Tales From Pasifika Review
Nani has always known that one day she will marry Arjun. Even though she doesn’t know him very well, even though she is not sure she really loves him, she understands this is her destiny. Their parents arranged it a long time ago and Nani must fulfill their wishes. If only it was so simple. Unfortunately, it isn’t.
Arjun is dying. Since he collapsed, he has been locked in stasis in a medi-mod. What if he doesn’t survive? What will happen to their future? Risking everything, Nani is desperate to bring her fiancé back to life.
Is it possible to write a futuristic story anchored in traditional cultures? You have to admit, it is no mean feat. Lehua Parker dared try to do just that. And I think it’s safe to say she has succeeded.
‘Nani’s Kiss’ is a sci-fiction version of ‘Beauty and the Beast’ (only the beast is not who you expect it is), which takes from Hawaiian and Indian cultures. It’s a rather unusual mix and one that can be easily ruined. But Lehua Parker managed to keep the right proportions of all the elements, thanks to which the novella makes an interesting read.
The storyline engages the reader right from the beginning, and as it evolves you become more and more curious as to what will happen next. The unforeseen twists and turns keep you riveted and don’t let you get bored even for a short while. However, they also require your undivided attention.
I have to warn you that this novella is not the easiest to read. If you want to follow the plot, you really have to concentrate on the words. There are a lot of fictional names of characters and places you may simply have trouble keeping in mind. They make the story slightly confusing, which for some readers may be a minor put off.
The characters themselves are incredibly well-built for such a short tale. They are believable, and we must remember that the novella takes place in the future, and easy to relate to. With their hopes, dreams, and fears, they are like ordinary human beings. And despite the fact that their backgrounds are not as clearly shown as we would all want, you get the feeling that you know their past quite well.
Now, although the story isn’t set in Hawaii, the local customs and practices are very noticeable. Especially the tradition of tattooing. But forget about permanent drawings here. In the world the author has created, nano-bot tattoos appear and then dissolve, only to reappear on a different part of a person’s body. The images they form reveal the intimate secrets of one’s heart and soul, and for a novice are impossible to hide.
The idea – a brilliant idea – of giving a futuristic twist to one of the oldest Polynesian traditions shows how the past can connect with the future. It also reminds us that some things in life should never be forgotten.
‘Nani’s Kiss’ is without a doubt a very interesting novella. The concept is truly fascinating, so I am positive you won’t feel let down when you give it a try. I definitely recommend it!
Mahalo nui nui, Tales From Pasifika! You can find Nani’s Kiss in Fractured Beauty on Amazon. More in the Fractured Series by Fairy Tale Ink coming soon.