Talking Story

Book Reviews

One Boy, No Water, Book 1 in the Niuhi Shark Saga, will be available in stores and online September 29, 2012. The series is set in Hawaii and tells the story of  Zader, an 11 year old boy, and his adventures as he discovers who—and what—he really is. Most of the descriptions of island life in the series are true. However, in some areas Aunty Lehua stretched the truth just a little bit. Here’s the real scoop about Lua.

Lua

In One Boy, No Water

Lua is ancient form of Hawaiian hand-to-hand combat. It was taught in schools by Lua masters who could perform amazing feats of strength and agility.

The real scoop…

Lua is real! Known anciently as Kapu Ku‘ialua, Lua was traditionally taught to young Hawaiian nobles and warriors, both male and female. Lua ‘ai forms focus on breaking and dislocating bones, locking joints, performing nerve strikes, and using various weapons such as shark tooth clubs, spears, and slings. Lua students were also taught to heal using massage and herbal remedies and to use spiritual forces against their enemies.

In ancient times Lua warriors plucked all their hair (girls, too!) and put a thin layer of coconut oil all over their bodies so they could slip out of holds during battle. The word for Lua master,‘ōlohe, literally means hairless.

Kept secret, sacred, and hidden in legends and taught underground since the mid-1800s, Lua is experiencing a cultural re-birth. Like many martial art forms, Lua also embodies a philosophy. It teaches traditional Hawaiian ideas such as remaining pono in all one’s thoughts, actions, and feelings.

Because so much of Lua is still considered sacred and secret and is not shared outside Lua schools, be wary of websites or people claiming to know all about it. For more information about authentic Hawaiian Lua practices, check out this book:

 

Lua, Art of the Hawaiian Warrior

By Richard Paglinawan, Mitchell Eli, Moses Kalauokalani, and Jerry Walker

Bishop Museum Press, 2005

One Boy, No Water, Book 1 in the Niuhi Shark Saga, will be available in stores and online September 29, 2012. The series is set in Hawaii and tells the story of  Zader, an 11 year old boy, and his adventures as he discovers who—and what—he really is. Most of the descriptions of island life in the series are true. However, in some areas Aunty Lehua stretched the truth just a little bit. Here’s the real scoop about Niuhi Sharks.

Niuhi Sharks

In One Boy, No Water

Niuhi sharks are sharks that are aware of themselves as predators and can choose whether or not to bite humans. Niuhi sharks can appear as human.

The real scoop…

The Hawaiian word niuhi simply means big man-eating shark and is often translated as large tiger shark.

There are hundreds of legends, stories, and myths throughout the Pacific about sharks that can turn into humans, humans that can turn into sharks, guardian spirits of ancestors who assume the shape of a shark, and demi-god children born to a human and shark parent. Many of these stories can be found on the Internet.

In ancient Hawaiian legends sharks masquerading as humans had a secret: on their backs was the large, gaping mouth of a real shark! When in human form, shark men would hide their shark mouths under capes made of leaves, feathers, or kapa cloth. Usually shark men were discovered when someone removed the cape.

Since big predatory sharks tend to hunt and travel alone, most Hawaiian shark shape-shifter stories are about a particular individual and not about whole societies of shape-shifting sharks. The Niuhi Shark People of Hohonukai only exist in the novels.

In the Niuhi Shark Saga, Uncle Kahana and Nili-boy recommend wearing ti leaf leis or special tattoos to ward off sharks. While Hawaiian tattoo traditions do include patterns used to honor shark ‘aumakua as well as to identify and protect the wearers in shark infested waters, there really isn’t an anti-shark bite tattoo,  and while there are also many traditions about the healing and protective properties of ti leaves, ti leaves and ti leaf leis are not worn to ward off niuhi sharks.

In Hawaii, children are taught that the best way to avoid shark bites is to follow a few simple guidelines:

  • Don’t swim with an open wound.
  • Don’t swim in harbors or near the mouths of rivers.
  • Don’t swim in murky water.
  • Don’t swim at dusk, dawn, or at night
  • When spearfishing, keep your catch away from your body. Use a long tethering line or get things back in the boat quickly.
  • Be aware of your surroundings. If you feel uncomfortable, get out of the water.
  • If you see a shark, remain calm. Watch the shark’s body language. Exit the water slowly.

Sometimes people with ravenous appetites, particularly for meat, are called niuhi, so the next time someone says you’re pigging out, say no, you’re really eating like a niuhi shark!

Writing is a reiterative process and creating the cover for a book is no different. The very talented Corey Egbert is the illustrator for the Niuhi Shark Saga and along with myself and the Jolly Fish Press team developed what eventually became the fantastic cover for One Boy, No Water. Surprisingly, our largest creative disagreement was over footwear.

Originally, Zader was going to be portrayed as wearing over-sized old-fashioned hip waders, the kind pineapple pickers used to wear. It’s not as odd as it sounds; it’s actually a plot point in the book. But when we saw the first draft, Christopher Loke, Executive Editor, didn’t like it. He thought it too clunky and wanted something more sleek and modern.

Corey’s next version was what Chris asked for, but I hated it. To my eye it was too girly. After some discussion, we decided to scrap the hip waders and a few other elements in our original design because we felt they were getting in the way of the emotion we wanted a potential reader to feel when he saw the cover.

Excited about the new direction, Chris asked, “What’s on Zader’s feet?”

“Slippahs or bare feet,” I said.

“On a reef?” He looked at me like I was crazy.

“It’s what kids wear,” I said.

“No, not Zader. It’s too dangerous for him to wear that. He wouldn’t do it.”

“He does in one part of the book,” said Kirk Cunningham, Head Publicist for Jolly Fish Press.

“Yeah, he does,” I said. “It’s in the climax.”

“No, it’s not right,” said Chris. “It’s not believable.”

We thought for a minute. I mentally flipped through images, trying to think of the kinds of footwear I’d seen around lava outcrops.

“What about deck shoes?” I asked.

“I LOVE deck shoes,” Chris exclaimed. “You mean the canvas-type shoes?”

“Deck shoes?” Corey asked.

“The kind from places like Landsend and LL Bean. I’ll send you some pictures,” I said.

“It’s deck shoes!” pronounced Chris, and we moved on.

But something about it bugged me and when I saw next draft, I realized why.

In Hawaii, I’ve never seen a local wear deck shoes to the beach or anywhere near water. It’s exclusively a tourist thing. The reason is simple: no matter how carefully you walk around reef, lava rocks, and the ocean, you’re still guaranteed to get your feet wet by either a rogue wave, bigger than expected splash, or unseen tide pool. In Hawaii, deck shoes, even the canvas ones, get ruined if they get ocean water in them—they never really dry out in the humidity and, well, can stink to high heaven if they’re worn again. Since you never, ever wear your shoes in a house in Hawaii (it’s considered very rude) the last thing you want to wear is stinky shoes you’ll have to take off in public.

I’m not sure why so many tourists wear them to the beach–if it’s because tourists get used to seeing these kinds of images in catalogs or because they think these kinds of shoes will protect their feet better or if they just wear shoes more often than locals–but our house was near a blow hole you could access by walking along lava rocks and tide pools and there wasn’t a day we didn’t see a tourist limping back to his car to nurse the blisters he got where the sand and saltwater’d rubbed his feet raw in his deck shoes.

As a local kid, Zader would never wear deck shoes on  a reef.

My hunch was confirmed when I showed the latest image to my kids and husband individually. After “wow” then very next thing each of them said was, “What’s he wearing on his feet?”

I decided I needed to bring up the footwear issue. Again.

JFP’s initial response was no, the deck shoes are great. Slippahs or bare feet would not be as elegant, especially with the heel toward the audience. But then the point was raised that one of our goals for the series was to be true to the local Hawaiian culture, even if that was counter-intuitive to the rest of the world. Corey was green-lighted to change it to slippahs.

I knew it was the right decision when I showed the final version of the cover to my Dad, Mr. Aloha himself, who’d never seen any of the other versions. The first thing he said wasn’t wow or that’s amazing or you’re going to sell a bazillion books with that cover. He said, “Oh, good. He’s in slippers.”

“Really, Dad? That’s the first thing you see? Fo’real?”

“The ghost shark thing is cool. Very sci-fi fantasy. It’s just that when you told me it was a reef scene I was a afraid he’d be in god-awful deck shoes or something.”

New press release for One Boy, No Water

For Immediate Release

Contact:
Kirk Cunningham,
Head Publicist
kirk@jollyfishpress.com
(801) 380-4503

 

OF SHARKS AND MEN

When old Uncle Kahana and his poi dog ‘Ilima find a newborn with a funny birthmark abandoned on a reef in Hawaii, he soon finds out just how special the child is: the boy is allergic to water. One drop on his skin and it’s like water on a white hot skillet; his allergies also make eating anything raw from the sea or rare meat impossible, which is simply absurd for an island dweller. Strangely, the boy’s peculiar allergies lead Uncle Kahana to believe this child is ‘ohana—family—and doesn’t have to work too hard to convince his niece and her family to adopt and give him a name—Alexander Kanoakai Westin, or “Zader” for short.

If only the rest of Zader’s life were so easy!

On the surface, despite his unusual allergies, Zader is an average eleven year old boy with typical challenges of fitting in with his peers, getting into a good prep school, and maintaining his relationship with his surfing crazed brother. In reality, Zader is Niuhi, a shark with the ability to turn into a person. As he matures and begins to adapt to his “allergies” in ways that make it easier to live a normal life, Zader’s world begins to turn upside down—he will not only have to come to terms with who he is, but what he is.

One Boy, No Water, Lehua Parker’s debut novel, is the first exciting installment in The Niuhi Shark Saga and is set to release September 29, 2012. Utilizing both Pidgin and English in her narrative, Parker accurately paints the vibrant culture and lifestyle of Hawaii, transporting her reader to the heart of the island where legend and tradition is as much a part of life as eating and drinking.

Parker, aka “Aunty Lehua,” is originally from Hawaii and a graduate of The Kamehameha Schools and Brigham Young University. As an advocate of Hawaiian culture and literature, her writings often feature her island heritage and the unique Hawaiian Pidgin. So far, Parker has been a live television director, a school teacher, a courseware manager, a sports coach, a theater critic, a SCUBA instructor, an author, a web designer, a mother, and a wife. She currently lives in Utah with her husband, two children, five cats, two dogs, seven horses, and assorted chickens. During the snowy winters she dreams about the beach.

One Boy, No Water is illustrated by award-winning illustrator, Corey Egbert.

For more details on One Boy, No Water, or to review the novel, please contact Kirk Cunningham at kirk@jollyfishpress.com.

Click here to visit the official site.

Title: One Boy, No Water
Author: Lehua Parker
Publisher: Jolly Fish Press, LLC
Trim: 5.5 in. x 8.5 in.
Format: Hardcover, Trade Paperback
Pages: 185
(HC) ISBN-13: 978-0-9848801-2-6
(TPB) ISBN-13: 978-0-9848801-7-1
(E-Book) ISBN-13: 978-0-9848801-8-8
Retail Price:
(HC) $24.95
(TPB) $14.95
(E-Book) $7.99
Genre: Middle-Grade, Young Adult
Region: US, CAN, UK, AU
Distributor(s): Ingram
Publication Date: September 29, 2012

This book opens with a recurring fantasy of mine. A matronly woman comes to the door wanting to cook and clean for the family. All she wants in return is a place to stay and a little petty cash. Not only is she willing and able, she’s fantastic at all things domestic, her attention to detail exquisite, her emotional radar attuned to the slightest nuance of every member of the family.

The biggest drawback? She’s a murder, of course. But that was 42 years ago. Have you tasted her apple pie? Seriously, the whole murder thing seems so passé in comparison.

Meet Eleanor Ethel Rose, a complex women of simple tastes and pleasures and epic doses of motherly love. In Christopher Loke’s debut novel, The Housekeeper’s Son, we meet Eleanor and slowly strip away the layers of her story, much like peeling an apple and removing the flesh to make a pie. Eventually you’re left with the once hidden core of motives and facts lying naked on the cutting board, revealing ideas and planting seeds that challenge the reader’s understanding of what it means to be a good mother—and son. There’s no O. Henryish gimmick in the twist; the whole apple is there from the beginning. The reveal is a matter of what’s not said as much as what is—but to tell more would only spoil it. If you like mysteries and thrillers, you’re sure to find it entertaining.

Set in rural Utah, The Housekeeper’s Son, touches on but doesn’t fully explore some of the hot button issues in modern LDS culture/Mormonism today: homosexuality, child abuse, incest, neglect, depression, and, of course, murder. It’s an adult book with adult themes handled in oblique, non-graphic ways. While I enjoyed it thoroughly, I want to stress that it’s not for middle grade readers of One Boy, No Water or The Niuhi Shark Saga.

After reading The Housekeeper’s Son and then wandering through my kitchen filled with dusty light fixtures and uninspired ingredients, I still think I’d hire Eleanor Ethel Rose. After all, as the saying goes: if good friends bail you out of jail, but great friends help bury the body, then Eleanor’s in a class of her own.

The Housekeeper’s Son, written by Christopher Loke and published by Jolly Fish Press is available in hardback and eBook from Amazon, Barnes and Noble, and other purveyors of fine literature.

Chris’s blog can be found at: A Writer’s Notebook, http://www.chrislokenotes.blogspot.com/

For more information about Jolly Fish Press and its titles, please visit: http://www.jollyfishpress.com/

Return to Exile, the first book of The Hunter Chronicles  by E.J. Patten, tells the remarkable story of Sky Weathers and the secrets surrounding his birth that continue to haunt his nearly 12-year-old life. Constantly moving, his family never staying long enough to become part of a community, Sky is an experienced outsider with no close friends except his odd Uncle Phineas. Under his tutelage, Sky has learned all about puzzles, traps, and hunting—hunting monsters, that is. As the story opens, Sky has almost convinced himself that all of his Uncle’s fantastical stories are really just an extreme form of pretend, imagination gone wild, and nothing more.

After 11 years of wandering, the Weathers family returns to their hometown of Exile with the expectation of finally settling down. When Uncle Phineas misses a scheduled rendezvous, everyone gets little edgy. Worried about Phineas and unable to resist exploring ancestral homelands, Sky embarks on a series of adventures that leads him to discovering who he is, his mysterious past, and the high stakes reason behind all of Phineas’ deadly serious games.

Patten has a lot of story and backstory to tell in this book, a horde of characters to introduce, and oodles of detail about monsters and the mayhem they cause. In his world, magic and monsters are not a matter of hocus-pocus, but rather science that’s not fully understood. For readers who love the minutiae and fine print of an imaginary world, there’s a lot here to chew on. Much of the plot hinges on the workings of monsters and hunters and how all the pieces fit—or seem to fit—together.

It’s obvious that Patten loves puzzles and games in all their forms including word play. He delights in turning phrases on their heads. His characters are witty, and the narrative is polished, perhaps a tad too highly. Occasionally the banter and action feel contrived, taking the reader out of the storyline and action simply to be clever. However, it’s likely that only adults with too much literary critique baggage will feel this way; young readers will likely be swept up in the richness of Sky’s journey and will enjoy the winks and laughs along the way.

Return to Exile is appropriate for those eight and older who can read near a 5th grade level or higher. While it’s easy to see how this action-packed fantasy appeals to boys, girls will also enjoy getting to know Sky and his monster hunter friends. Readers who liked The Hobbit, the Percy Jackson books, and Fablehaven series will find similarities here. The pacing and humor is certain to keep even reluctant young readers engaged and looking forward to the second book in the series.

Return to Exile, Snare 1 of The Hunter Chronicles is published by Simon & Schuster Books for Young Readers, authored by E.J. Patten, and beautifully illustrated by John Rocco. It can be ordered or purchased as an eBook or in hardback from Amazon and Barnes & Noble, as well as wherever fine books are sold.

From One Boy, No Water

Book 1 of The Niuhi Shark Saga

“The shark,” said Uncle Kahana, finally blinking. “It wen come tangled in the net.” He shook his ice and looked in the bottom of the glass, seeing what we couldn’t imagine. “He jumped in to save the shark.” He gave his glass another shake. “Daddy knew the shark would make die dead if no cut free. He jumped in the lehua water with his long boning knife, grabbing the net through the bloody blossoms, sawing away. When Daddy left the boat, I leaned over the side and looked down into the water. Daddy stay so small and the shark so big! But he kept working, sliding his knife along the side of the shark, slicing through the net. When Daddy got to the last piece of netting trapping its tail, the shark turned, and his knife wen slip, just nicking the tip of the shark’s tail. I thought Daddy was make die dead. He’d freed the shark so it could feed on him more better. But the shark turned and paused. It looked him in the eye, with that fierce, cold Niuhi manō eye, jet black in the water.” Uncle Kahana shivered in the warm night. “Later, I saw that same eye, just one time that day, wen Daddy started for the surface. It looked up into my young eyes peering over the edge of the boat, and I saw its Niuhi heart. I no know what it saw in mines.”

Excerpted from One Boy, No Water by Lehua Parker. Copyright © 2012 by Lehua Parker. Excerpted by permission of Jolly Fish Press, LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Jolly Fish Press to Swim with Sharks Fall 2012

PROVO, UT—Jolly Fish Press (JFP) has successfully acquired the North American distribution and publication rights to Lehua Parker’s debut children’s book, One Boy, No Water.

One Boy, No Water, the first of five books in the Niuhi Shark Adventure Series, is a fantasy based on an island folklore centered on the Niuhi shark people in Hawaii— imagine water people, angry teenagers, confused parents, a looming mystery, and man- eating sharks! The book is scheduled for a Fall 2012 release.

Originally from Hawaii and a graduate of The Kamehameha Schools, Parker—also known as “Aunty Lehua”—has always been an advocate of Hawaiian culture and literature. Her writings often feature her island heritage and the unique Hawaiian pidgin.

The Niuhi Shark Adventure Series will be JFP’s first middle grade series to be released in the Fall of 2012.

I’ve been working off and on a middle grade children’s series set in Hawaii for several years. It wasn’t that I didn’t enjoy writing it—I did—and it wasn’t that I kept running out of ideas—if anything, I had too many. The problem was a much bigger question.

What was I going to do with it when it was done?

There are as many reasons to write as there are writers, some of them noble and pure of purpose and others more, ahem, monetary in nature. The “what to do with it” question was compounded by the fact that my kolohe characters kept insisting on talking in pidgin. Hawaiian Pidgin English, as in Not Standard English which is what most middle grade kids are learning to read in America. No publisher in his right mind would want to tackle a problem like this and the dearth of Hawaiian writers on the national stage publishing works with pidgin seemed to back up this theory, Lois Ann Yamanka and Graham Salisbury being the few exceptions that prove the rule.

So the series lurked in the background of my mind and computer, rising to the surface when no other productive use of my time could be found to avoid housework. What can I say? Laundry has to get done and dishes washed, but like death and taxes I try to avoid them as long as possible. “Working on the series” sounded like a great excuse to me.

A couple of months ago, bored and looking for “a project,” I attended a workshop on the emerging field of self-publishing. Books and publishing—the act of getting the stories into the hands and minds of readers—are undergoing a revolution not seen since Gutenburg showed off his fancy new press. Ebook readers and new distribution channels have created unparalleled opportunities for authors to reach highly targeted audiences and to achieve that basest reason of all for writing: a paycheck.

I would have shouted eureka, but that would have been a little cliché.

Now that I knew what I was going to do with it, I set about writing again and putting all of the building blocks in place to self-publish. Author website and store, check. Blog, check. Fan Facebook page, check. Research best practices, check. Someone to do cover art, check.

And then a little voice said, “Why are you doing all of this?”

“’Cause I have to do something with all these words and stories,” I replied. “No one else will.”

“How do you know?” the voice chided. “Did you ever give anyone the chance to say yes?”

Huh. All of this work was based on the assumption that no mainland publisher would be interested in a middle grade series with pidgin dialogue.

And I was wrong.

Through a series of events that no one would believe if I told them, I got the series in front of a real live traditional mainland book publisher who is seriously considering the books for publication on the national level in a five book, five year deal that doesn’t seem real. The details are still being worked out and nothing is final until the ink is dried on the contract, but wow lau-lau, apparently there is a Santa Claus, Virginia, and for Lehua, a mainland publisher who thinks there’s a market for middle grade fiction with pidgin dialogue.

Here’s to the new year!

From One Boy, No Water

Book 1 of The Niuhi Shark Saga

Jay sat back in his chair and scoffed. “You behind the times, Uncle K. Get plenny kine shark bite people: bull shark, great white, tiger, hammerhead—”

“No. Only one kine: niuhi.”

“No, I saw it on Shark Week! In Australia—”

“You stay Australia?”

Jay paused, confused. “No,” he said.

“Then why you worried about Australia?”

“I not, I—”

“Good. Then listen to your uncle. In Hawaii only get one kine shark for worry about: niuhi.”

“Niuhi?” Jay looked around the lānai. “What kine is that?”

“Told you,” said Uncle Kahana. “Man-eater.” He smiled. “Or man-biter. Depends on the mood.”

Excerpted from One Boy, No Water by Lehua Parker. Copyright © 2012 by Lehua Parker. Excerpted by permission of Jolly Fish Press, LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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When you’re allergic to water,
growing up in Hawaii
isn’t always paradise.

With Niuhi sharks,
even out of the water,
you’re not safe.

Everything you thought you knew
about Zader is a  lie.