Ilima, everyone’s favorite dog who isn’t a dog, is back in a new adventure!
In Rell Goes Hawaiian, you’ll catch up with Ilima, Uncle Kahana, Jerry Santos, and other characters from The Niuhi Shark Saga in a newly imagined version of Cinderella.
When Rell Watanabe is summoned from the mainland by her stepmonster Regina to Poliahu’s estate in upcountry Lauele, Hawaii, she should’ve known it wasn’t to celebrate her birthday. Despite Jerry Santo’s aloha hospitality, being in paradise isn’t all fun in the sun. Rell spends her birthday signing papers, taking care of her bratty stepsisters, and preparing for a big auction to benefit the International Abilities Surf Camp sponsored by Jay Westin and Nili-boy.
After Rell’s wicked stepsisters push the sacred aumakua stone Pohaku into the big saltwater pool at Piko Point, things rapidly fall apart. Banned from attending the auction, Rell wishes on a star and gets waaaaay more than she bargained for when Ilima shows up to settle a score.
Things take a sinister turn when Rell discovers the real reason Regina is sponsoring the auction and her plans for Rell’s family land in Lauele. It’s going to take more than Ilima’s bibbitty-bobbity-boo to make things right—but don’t call ever call Ilima a fairy godmother.
Rell Goes Hawaiian is a magical realism story where the supernatural and the ordinary live side-by-side. Menehune and other Hawaiian legends of gods and goddess walk Lauele Town. Don’t blink or you’ll miss them.
Rell Goes Hawaiian is a novella included in Fractured Slipper, a boxed set of 5 Cinderella novellas by award-winning and best-selling authors. Fractured Slipper is Book 2 in the Fairy Talk Ink series.
Until January 18, 2018, you can pre-order the eBook of Fractured Slipper for only 99 cents!
Fairy Tale Ink Series
Includes Nani’s Kiss, a tale of Polynesians in space.
Includes: Rell Goes Hawaiian, a Lauele Town Novella
Note: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. Tales From Pasifika is reviewing the Niuhi Shark Saga. The following is an excerpt from their review of One Truth, No Lie, book 3 in the trilogy. To see the whole review, click here.
Tales from Pasifika Review
Let me start by saying right off the bat that this third volume of the Niuhi Shark Saga is just as good as its two predecessors. It is the perfect conclusion to the whole story and one that will stay in your head for days, making you think about your own life, the choices you make, and the importance of having a loving ohana (family).
I have to admit that the events in this novel took me by surprise. The first few chapters literally hit you like a thunderbolt, and you quickly realize that you probably won’t be able to predict what happens next. And you indeed can’t. The twists and turns are infinite. When you think you know in which direction the story is heading, the plot makes a sudden 180-degree turnaround and you are being left baffled; yet again. There is only one way to find out how the story turns out – you have to keep reading until you reach the last sentence. Which is not a problem, because the narrative draws you in from the very beginning. You become curious and interested, you want to know more. And you simply enjoy spending time in the magical world Lehua Parker has created.
Another reason why the book is so engaging are the characters. Zader, as the protagonist in the trilogy, is the focus of the story. His transformation from a teenager to a responsible young man is perhaps a little too idealistic, but definitely nicely portrayed. You can notice how he has changed from an insecure boy to a brave grown-up; how he has learnt to make choices and decisions and rely only on himself. That’s a great lesson, for children and adults alike.
Other characters are also given moments to shine. Especially Jay, who shows us how to fight through adversity, find positive in life, and never ever give up; and Maka, who lets us understand what it means to finally have something you’ve always wanted to have – a real family. Of course, uncle Kahana, Char Siu, Kalei, Pua, ‘Ilima, and the rest of the group make appearances as well, however they are much less visible than in the two previous volumes.
With this book Lehua Parker once again showed us her enormous talent. Her writing style and the language she uses are beyond compare. Everything – from descriptions to dialogues to wit and sense of humour – is perfectly dosed. Personally, I would prefer to see a bit more Pidgin in each chapter, but that’s not really a reason to complain. I have to say that you read Lehua Parker’s novels with pure pleasure. Whenever you finish one of her books, you instantly want to reach for another.
In the review of the first volume of the Niuhi Shark Saga I confessed that I don’t like children or young adult literature. But this trilogy is an exception. It will make you laugh. It will make you cry. It will make you think. What can you want more?
Mahalo nui loa, Tales From Pasifika! You can find the entire Niuhi Shark Saga on Amazon: One Boy, No Water, book 1; One Shark, No Swim, book 2; One Truth, No Lie, book 3; and a companion story Birth: Zader’s Story. More books related to the series coming soon.
Note: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. Tales From Pasifika is reviewing the Niuhi Shark Saga. The following is an excerpt from their review of One Shark, No Swim, book 2 in the trilogy. To see the whole review, click here.
Tales From Pasifika Review
Writing sequels is a very challenging task. You have to not only expand the story, but also – or rather more importantly – keep it interesting for the readers. And children, as well as young adults, can be a particularly demanding audience. But for Lehua Parker this seems to be no problem. The second book in the Niuhi Shark Saga is just as good as the first one.
Quite honestly, this volume doesn’t really feel like a sequel. It is simply a continuation of the tale; only this time you go deeper into the world the author has created. Now you are almost like a resident of Lauele Town, who dines at Hari’s and goes surfing at Piko Point every other day. You know the people, you know the place. And you are well aware that there is something going on with one of your neighbours, so you’re dying to finally uncover the truth.
‘One Shark, No Swim’ answers a lot of questions the reader might have had after finishing the previous volume. Zader’s past becomes clearer as new, and interesting, facts come to light. However, if you think that all the pieces in the puzzle will fall neatly into place before you reach the end, you are very much mistaken. Because with every single answer, more questions arise. Who? What? Why? When? Where? You may try to guess, you may try to predict what happens next, but you can’t bank on it. And that is the true beauty of this series.
Now, as the plot unfolds, you become more acquainted with the characters. In this book, Zader leads the way. He is a true protagonists, a central figure of the narrative. And although the story isn’t told in the first person, you see the world through Zader’s eyes. You start to understand what he feels being a ‘different’ kid. You sympathize for him and cheer all the louder when he’s one step closer to discovering his true nature.
Of course, when mentioning the characters, you can’t forget about Zader’s family, especially uncle Kahana. This no-nonsense, wise, and funny old guy, sometimes treated like a big baby by his relatives, is a real star. Himself a man of many secrets, he is a mentor, a teacher, a protector, and a guardian of ancient Hawaiian culture. His complex persona makes him a little unknowable and therefore very intriguing. I wouldn’t mind having an uncle like Kahana, and I think you wouldn’t either.
The engaging plot and great characters are wrapped in beautiful words. Lehua Parker’s writing style is so fine that you can’t help but marvel at what she has created. It is not easy to write a novel that would suit children and adults alike. And yet she managed. The informal language (with an added bonus in the form of Hawaiian and Pidgin), vivid but not overwhelming descriptions, and a perfect dose of humour make this book an ideal read for any age group. No one will get bored, no one will be disappointed. It’s a title for the whole family. But be careful! It is possible that you will fight for the copy, so better buy two; or maybe even three… Just in case.
If you have read the first volume in the Niuhi Shark Saga, you literally have no choice but to read this one too. If you haven’t, you should catch up as soon as possible. Because the books are fantastic. Period.
Mahalo nui nui, Tales From Pasifika! You can find the entire Niuhi Shark Saga on Amazon: One Boy, No Water, book 1; One Shark, No Swim, book 2; One Truth, No Lie, book 3; and a companion story Birth: Zader’s Story. More books related to the series coming soon.
Note: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. Tales From Pasifika is reviewing the Niuhi Shark Saga. The following is an excerpt from their review of One Boy, No Water. To see the whole review, click here.
Tales From Pasifika Review
I’ll tell you something about myself: I don’t like children’s or Middle Grade/Young Adult books almost as much as I don’t like fantasy/magic realism genre. I decided to give the Niuhi Shark Saga a chance exclusively because it is Pacific Lit. I bought the three titles, but I was still quite (or rather very) sceptical. But then I read a few pages. And a few more. And suddenly I was officially hooked.
So yes, I admit, this is a fantastic book. Lehua Parker wrote a beautiful tale full of magic and authentic Hawaiian vibe. She managed to bring the local legends back to life, giving readers – young and adult alike – a chance to get to know the Aloha State and its fascinating culture. Actually, the references to Hawaiian lore are what makes this novel stand out! It doesn’t deal with werewolves, vampires, or wizards – so omnipresent in today’s popular literature – but draws from the ancient beliefs. So we have sharks, and ti leaves, and the mysterious Hawaiian martial art of Kapu Kuialua (which is considered sacred and taught underground since the mid-1800s). All this definitely makes the story feel fresh, unique, original. And isn’t that exactly what we expect from a good book?
Now, although the novel is somewhat focused on Hawaiian culture, it has several underlying themes that teach valuable lessons, as befits children’s and Young Adult literature. Together with Zader and Jay, readers learn how important it is to have family you can always count on, to do what is right, to overcome your fears, to respect the nature, and to never forget where you come from. You can’t run and hide from your problems; be bold and brave; whatever happens in your life – face it! This is such an inspiring message for young people, who often struggle to find their place. Zader’s and Jay’s experiences will surely give them courage, and uncle Kahana’s wise words the needed moral guidance.
Speaking of uncle Kahana, I have to praise the characters. They are unbelievably well created and defined. From Zader and Jay to Char Siu and the Blalahs to uncle Kahana (who is my favourite), every one of them is a distinct person with a distinct voice and personality. They are complex, plausible, and easy to identify with. They are like us: they make choices and decisions – sometimes good, sometimes bad; they have their dilemmas; they learn from their mistakes. They are ordinary people; ordinary in their extraordinariness.
Of course, it’s one thing to build strong characters, but it’s another to show the relationships between them. Lehua Parker succeeded in doing both. The interactions between Zader and his brother or uncle Kahana, the interactions between the teenagers, and finally the interactions between the adults are incredibly well thought over. They influence the story, making it much more convincing and compelling.
Do you know what else makes this novel so believable? The language – Hawaiian Pidgin, to be precise. You’ll find it in every single chapter and, quite possibly, on every single page. To people who don’t speak Pidgin (or Hawaiian), it may cause some problems, but there is a dictionary at the end of the book, so you can always use it. I think the addition of local creole was a genius idea. Well, you can’t really write a story set in Hawaii and have your characters say ‘Thank you’ instead of ‘Mahalo’, can you?
‘One Boy, No Water’ is a must read. If you have a youngster at home or are looking for a great gift, this should be your number one choice. Because this colorful island tale is engaging and appealing, thought-provoking and amusing, uplifting and wonderfully hopeful. It is like a breath of fresh Hawaiian air taken on a sunny day. Unforgettable and not to be missed. But, let me give you a piece of advice here, buy all three books at once – after the first volume you’ll be hooked; just like me.
Mahalo nui nui, Tales From Pasifika! You can find One Boy, No Water and the rest of the Niuhi Shark Saga One Shark, No Swim and One Truth, No Lie and its companion story Birth: Zader’s Story on Amazon. More books related to the series coming soon.
Kino and the King by Jen Angeli is a middle grade adventure quest set in Hawaii. Cutting to the chase, we need more stories like this one where island kids see themselves as the heroes and Hawaiian culture as something both amazing and ordinary, rather than sensationally exotic.
In the story, 12 year old Kino and her mother move to Hawaii to live with her maternal grandparents in Kalihi, Oahu. With her grandfather ill and her family facing eviction from their home, Kino discovers that she has an ancient destiny to save both Hawaii and her grandfather by going back in time to 1825. There she meets the young Kamehameha III just prior to his ascension to the throne. After meeting with a kahuna at a heiau, it becomes clear that in order to return to her own time, Kino must go on a quest for four objects gathered from various parts of Oahu—and of course the young prince is going to come along.
As the adventure quest plot unfolds, Jen deftly weaves in aspects of Hawaiian culture and history. Islanders will recognize kapu customs, protocol, and Hawaiian legends such as night marchers, Pele, Kamapua‘a, sacred waterfalls, ‘aumakua, choking ghosts, and magic gourds and calabashes.
1825 is a significant time in Hawaiian history, after the fall of the kapu system and during the first years of the Protestant missionaries’ influence. Hawaii is experiencing the growing pangs of contact with the wider world. In the story there’s a glimpse of the monumental civic and cultural challenges, but Jen is always conscious of her 4th – 8th grade audience and keeps the action moving. Topics are lightly touched upon in a way that can start discussions about these important topics. Kino and the King is respectful of Hawaiian history and culture. Teachers, parents, and librarians will find it provides a springboard for further reflection, study, and inquiry.
But as good as 1825 was, I gotta say I liked the modern conflicts best. Mean girls, romantic interests, class wars, private school snobbery, leasehold vs. fee simple landownership, high cost of living in paradise, afterschool enrichment classes in Hawaiian—it’s all here. Anyone growing up in Hawaii will instantly relate to Kino’s modern world—and those far from home will probably crave spam musubi reading about it.
Readers of The Niuhi Shark Saga books are certain to enjoy Kino and the King. Can’t wait for Jen Angeli’s next adventure.
Kino and the King by Jen Angeli is available in eBook and paperback from Amazon.
A Polynesians in Space Novella for
eBook Boxed Set 99 Cents until June 1, 2017
Click on the Book Nerd graphic to enter a drawing for a free $25 Amazon gift card as our mahalo nui loa for supporting our series.
He opens his mouth, but doesn’t say what’s on the tip of his tongue. He pauses, then asks, “I know you think of me as a fishing hook. What’s your nattoo for Lolo?”
I hang my head. “Pua‘a,” I mutter.
He stops mid-rub. “No way. Your symbol for our sister is a pig? Where is it?”
I don’t want to answer, but Imi’s relentless.
“Tell me, Nani, or I’ll strip search you myself. You know I can.”
“Are you on my side or not?” I scowl.
“Where’s our sister’s nattoo, Nani?”
I sigh. “On my okole. Left cheek.”
~Nani’s Kiss, Fractured Beauty
Kakau is the Hawaiian tradition of tattoo. I’ve always been fascinated by the history of kakau throughout Polynesia and love to hear personal stories about the images people choose to wear on their skin. Challenged to write a series of stories about Polynesians in the future, I knew kakau had to be a part of it.
Long before Disney’s Moana and Maui’s dancing tattoo version of himself that functions in the story as his Jimmy Cricket conscience, I had the what if idea of nanobots as tattoo ink. What if tattoos weren’t permanent? What if nanobot technology could change tattoos? What if you had to learn how to control them? What if there was an app that controlled them and it was in the hands of a villain?
What if, what if, what if?
In Nani’s Kiss, a Fairy Tale Five novella in the boxed set Fractured Beauty, Nani’s secret thoughts are displayed on her body by her nattoos, nanobots that form images.
I gotta tell you, I’m loving this story device. It’s set to appear in other stories, including the second boxed set of novellas from the Fairy Tale Five, Fractured Slipper, available September 2017.
Nani’s Kiss in Fractured Beauty is available in eBook. On June 1, 2017, the price jumps to $4.99, so don’t miss out!
Four authors accepted a challenge from Tork Media Publishing: reimagine the classic western fairy tale Beauty and the Beast.
Angela Brimhall’s beast is a terrifying sea monster cursed by a scorned gypsy. He must risk all to save the strong-willed princess before losing his last chance at love and redemption, becoming forever damned to the briny deep.
Lehua Parker’s Nani is trapped by Indian and Hawaiian traditions and a fiancé locked in stasis in a medi-mod. Cultures and expectations collide in this sci-fi futuristic world where nano-bot tattoos and dreams reveal the secret of Nani’s heart.
Angela Corbett’s Ledger is determined to find out more about the mysterious woman who saved him from certain death and uncover the secrets of Withering Woods, but some beasts are better left caged.
Adrienne Monson’s Arabella rushes to an enchanted castle to pay her father’s debt, but is met with a burly beast with a mysterious past. It’s a howling paranormal regency romp that will keep you turning pages well past your bedtime.
Ever wonder how Zader became part of the Westin family? Birth is a novella about the day Uncle Kahana found Zader abandoned on the reef at Piko Point. There are two versions in the eBook–one told with Pidgin and one told with standard American English.
Author J.F.R. Titchenell, Confessions of the Very First Zombie Slayer (That I Know Of), asked what scares me. Here’s my response.
Picking up The Niuhi Shark Saga, you’d think I was afraid of sharks. It’s right there in the title of the series. In the books people get stalked by sharks, bit by sharks, and die because of sharks. As an island kid growing up in the ocean during the 1970s—the premier Jaws era—it would make a lot of sense.
But sharks don’t scare me.
Being alone and misunderstood does.
You don’t have to be Sigmund Freud to figure out the sub-text of The Niuhi Shark Saga. I grew up a part-Hawaiian, but perpetually sunburned haole-looking girl in Kahului, Maui. From kindergarten through fourth grade, I was the only person with blond hair and blue-eyes in the entire school district, including the staff.
This didn’t change until my family moved to Kalama Valley on Oahu, where in 5th grade at Kamiloiki Elementary there were more kids who looked like me. But nobody spoke Pidgin, which I thought was the language of school. You can imagine my surprise when my teacher, nose in the air, told my mother I needed remedial English lessons and she was recommending me for Resource, which was code for special ed and not in her classroom. I didn’t need English lessons. I just needed to speak as I spoke at home at school.
The shock on Mrs. Goo’s face when I switched mid-sentence from Pidgin to perfect English was almost worth the hell of being in her class.
Almost. I won’t say more, except that when you’re a kid, being good at sports is crucial to overcoming prejudice. That, and a great right hook.
Consequently, a lot of my fiction involves a character that is isolated from others, usually for a reason he or she has no control over. In The Niuhi Shark Saga, Zader is isolated because he’s allergic to water. He’s the weird kid that others put up with because of his popular surfing star brother, Jay.
In One Boy, No Water, Zader fears being left behind if Jay and Char Siu get accepted into Ridgemont Academy for ninth grade. Without Jay around, there’s the real possibility that Zader will be the Blalah’s perpetual punching bag. But as the story progresses, Zader discovers that Jay needs him too, and that being different can be a source of strength.
In One Shark, No Swim and One Truth, No Lie, Zader and Jay learn that anything they love can be taken away. Because of love, Zader sacrifices himself and travels the world alone, wary that he will turn into the monster everyone thinks he is. Jay becomes consumed with revenge, loses his golden boy status, and has to humble himself and learn from others before he can find peace in the ocean again. Both Zader and Jay reject what others think are their destinies, and prove that family are people you choose and not necessarily related by blood.
The Niuhi Shark Saga takes place in modern Hawaii where all the Hawaiian myths, legends, and gods are real, but under the radar of most humans. It’s my hope that readers come away with a deeper understanding of island life than what’s reflected in Hollywood movies and shows like Hawaii 5-0.
And there are sharks. Did I mention the sharks? Monster-sized Niuhi sharks, with mouthfuls of teeth, all-consuming hunger, and extra-sensory perception. They are apex predators without a lick of human remorse or conscience.
Oh, and Niuhi sharks? They can appear in human form. Unlike Jaws, if a Niuhi shark is interested in you, even on land, you’re not safe. There is no bigger boat.
Opportunities to be part of something this special are rare in life. Back in December Jonathan Diaz approached me and several other authors about participating in his quest to help pediatric cancer patients. He had the deceptively simple idea of taking photos of kids living lives far away from the realities of hospital corridors–dreams of being a mermaid, a bull rider, a dancer, a baker, more than twenty in all–and pairing each image with a short story.
I wrote The Mermaid‘s Tale for Caimbre, four years old at the time of her photo shoot and with a smile that makes you want to take her home in your pocket. It was without a doubt the hardest thing I have ever written. How could I possibly come up with words to do justice to her photo, to her smile, to her dreams? I couldn’t, not really. I’m just a writer.
She and other kids are the TRUE HEROES, a collection of modern-day fairy tales about real kids who are fighting cancer. The book is available now in major bookstores and online through Amazon. All proceeds go to support the Anything Can Be Foundation in its mission to help pediatric cancer patients see themselves as the TRUE HEROES they are.
If you’re in the Provo, UT, area on Saturday, Sept. 12, at 3 pm, stop by the Provo City Library to meet some of the authors and kids. Pick up a book and support something truly special. Let’s show cancer how strong dreams can be. #TrueHeroes #ShowYourGold #hope
When Maddie’s father catches her with a boy, he hauls her into town in a pig wagon and finds her a husband. But Peter’s cabin in the woods promises something very different than Maddie’s happily ever after.
Pretty Things, a retelling of “The Robber Bridegroom,” is the first novella in the Grimm Chronicles series. Warning: not your granny’s fairytales!