I’m fleeing the snowy Utah winter to talk story, teach workshops, and work with some incredible keiki on the Big Island of Hawai’i. So excited! I’ll post some of the students’ work when I get back. (If I come back!)
Feb. 22: Kahakai Elementary, Kailua-Kona
Feb. 25 – Mar. 1: The Kamehameha Schools, Kea’au
Feb. 27: Ke Kula ‘o Nāwahīokalaniʻōpuʻu, Kea’au
Feb. 27: ‘Ohana Story Night, The Kamehameha Schools, Kea’au, 5 pm
Mar. 1: Ka ʻUmeke Kāʻeo PCS, Hilo
Mar. 2: Basically Books, Hilo, 1 pm Book Signing
Hot off the presses and ready for young readers and those young at heart is R. Keao Nesmith’s Hawaiian translation of Harry Potter and the Philosopher’s Stone. Full confession: my Hawaiian is nowhere fluent enough to understand the text. But I love speaking the words aloud and picking out the things I do know.
This translation is important because it demonstrates that Hawaiian is a living, breathing language. When kids read modern stories they relate to, doors open in their minds that develop compassion, a wider understanding of the world around them, and a love of learning. More than just the story of a kid with magical powers, the Harry Potter series delves into deeper themes of social activism, class struggles, and group think. Kids see others like them rising up and making a difference and think, “Hey! Maybe me, too!” Pretty powerful stuff.
For those and other reasons, I’m excited to see this new translation. If you’re lucky enough to live near Hilo, Hawaii, you can get a copy at Basically Books. Otherwise, you’ll have to order it from Amazon. While it ships for free with Prime, it can take a few weeks for delivery since it ships from England.
Now if we could just get a few modern stories by Hawaiian authors translated into Hawaiian…
“Maverick” is a short story that was originally published by Griffin Press in Apocalypse Utah, an anthology of horror stories by Utah authors. I’ve had a request to use it in a class at Utah State University, so Makena Press has reprinted it as a Kindle eBook. It’s a quick read–and has nothing to do with Hawaii.
But the main character is certainly badass.
Here’s the blurb:
In post-apocalyptic Heber City, Utah, an 11 year-old girl searches for ChapStick and magazines in an abandoned Mavericks convenience store and runs into two drifters who get more than they bargained for.
You can pick it up on Amazon for 99 cents.
I’ve been working a new novella that’s set in imaginary Lauele, Hawaii. It’s going into a boxed set of novellas by the Fairy Tale Ink authors, this one called Fractured Sea, that retells the classic Little Mermaid fairy tale. It seems like a perfect fit for my stories of Niuhi, sharks that can appear as people, right?
Wrong. So wrong.
This has been the most difficult piece I’ve ever written. The story has fought me at every turn, refusing to fit into the mold of a Western fairy tale. I’ve struggled, writing and rewriting, and eventually throwing out 90% of what was in my original manuscript. I’ve wanted to quit and then feared I’d have to because for the first time in my life I COULDN’T DELIVER.
But then, finally, at 2 am Monday morning, it clicked. I stopped trying to write the story I thought I needed to tell and started listening to the story that wanted to be spoken. I’m behind, desperately behind, but I think I see the way through and that’s more than half the battle.
While there are elements that can be mapped to the Little Mermaid, it’s much more a story about ocean ecology, colonialism, tourism, personal sacrifice, and how a wise ocean god plans for his people’s future. There are analogies and metaphors that I hope will lead readers to think more deeply about the relationships they have with both the mundane and the supernatural.
I know it’s a little ambitious and probably ridiculous to cram all of this in a story that readers are expecting to be a fluffy romance about unrequited love, but apparently these are the kinds of mo’olelo–of stories–that resonate with me.
And I can only write the words I’m given. The stories are always a gift.
Today I ran across a TedxManoa talk given by Brandy McDougall back in 2012. (Click to view her talk.) I wish I’d seen it sooner. It speaks to the need of writing stories, our stories, as a political and cultural narrative.
The stories are always a gift.
Note: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. The following is an excerpt from their review of Nani’s Kiss, one of the five novellas in the Fractured Beauty boxed set. To see the full review, click here.
Tales From Pasifika Review
Nani has always known that one day she will marry Arjun. Even though she doesn’t know him very well, even though she is not sure she really loves him, she understands this is her destiny. Their parents arranged it a long time ago and Nani must fulfill their wishes. If only it was so simple. Unfortunately, it isn’t.
Arjun is dying. Since he collapsed, he has been locked in stasis in a medi-mod. What if he doesn’t survive? What will happen to their future? Risking everything, Nani is desperate to bring her fiancé back to life.
Is it possible to write a futuristic story anchored in traditional cultures? You have to admit, it is no mean feat. Lehua Parker dared try to do just that. And I think it’s safe to say she has succeeded.
‘Nani’s Kiss’ is a sci-fiction version of ‘Beauty and the Beast’ (only the beast is not who you expect it is), which takes from Hawaiian and Indian cultures. It’s a rather unusual mix and one that can be easily ruined. But Lehua Parker managed to keep the right proportions of all the elements, thanks to which the novella makes an interesting read.
The storyline engages the reader right from the beginning, and as it evolves you become more and more curious as to what will happen next. The unforeseen twists and turns keep you riveted and don’t let you get bored even for a short while. However, they also require your undivided attention.
I have to warn you that this novella is not the easiest to read. If you want to follow the plot, you really have to concentrate on the words. There are a lot of fictional names of characters and places you may simply have trouble keeping in mind. They make the story slightly confusing, which for some readers may be a minor put off.
The characters themselves are incredibly well-built for such a short tale. They are believable, and we must remember that the novella takes place in the future, and easy to relate to. With their hopes, dreams, and fears, they are like ordinary human beings. And despite the fact that their backgrounds are not as clearly shown as we would all want, you get the feeling that you know their past quite well.
Now, although the story isn’t set in Hawaii, the local customs and practices are very noticeable. Especially the tradition of tattooing. But forget about permanent drawings here. In the world the author has created, nano-bot tattoos appear and then dissolve, only to reappear on a different part of a person’s body. The images they form reveal the intimate secrets of one’s heart and soul, and for a novice are impossible to hide.
The idea – a brilliant idea – of giving a futuristic twist to one of the oldest Polynesian traditions shows how the past can connect with the future. It also reminds us that some things in life should never be forgotten.
‘Nani’s Kiss’ is without a doubt a very interesting novella. The concept is truly fascinating, so I am positive you won’t feel let down when you give it a try. I definitely recommend it!
Mahalo nui nui, Tales From Pasifika! You can find Nani’s Kiss in Fractured Beauty on Amazon. More in the Fractured Series by Fairy Tale Ink coming soon.
But I’m going to tell you about my now seventeen year old daughter instead.
When she was starting kindergarten at a private school, they had a get to know the parents, classmates, and teacher picnic. At the picnic I overheard a boy tell his friends how much he loved to chase and kiss girls. I said something to his mother and the teacher, who both laughed it off.
On the way home, I told my daughter if anyone tried to kiss her and she didn’t want to, she had the right to say no–loud and long–until they stopped. And if they kept pursuing, she had the right to make them stop. I said she might get in trouble at school at first, but I would never be mad at her and would explain to the grown-ups.
Sure enough, I got a call the first day of school. I walked into the principal’s office and faced an outraged parent, teacher, and principal who wanted to suspend my daughter for punching a boy in the eye—violence and hitting would not be tolerated.
I calmly asked my daughter to explain what happened. She described how this boy was chasing all the girls at recess, knocking them down, and kissing them—and was encouraging other boys to do this, too. She matter of factly said she’d told him she didn’t want to kiss, he told her she’d better run, and she’d said no and if you try to kiss me again, I’ll punch you. He tried, so she socked him. He ran to the teacher, crying. My daughter also said we didn’t have to worry or punish the boy because in her opinion the problem was solved because she didn’t think he would try to kiss her again. Could she go color now? I gave her a hug and sent her out of the room.
I wish I could say the adults—all women—immediately got it, but they didn’t. I insisted that punishing my daughter for defending herself against unwanted sexual advances was exactly the wrong message. Remember, this was supposed to be a progressive, enlighten private school. I ended their boys will be boys defense with my daughter always has my permission to defend herself against assault.
This boy continued to kiss unwilling girls until my daughter taught them it was okay to fight back. She told the girls not to run or cry, but to tell him no and to punch if he didn’t listen. She said sometimes a punch works best, but to use words first. She also said don’t be mad at him, he’ll figure it out eventually.
The wisdom of a five year old.
After a few more bruises and visits to the principal, his parents acknowledged there might be a problem and got him some counseling.
Knowing that you have the right to say no and to defend yourself—and others—is not a magical protection shield. But maybe if more five year olds felt empowered to stand up for themselves, fewer perpetrators would grow up thinking behavior like this is okay.
#metoo is hashtag used to to increase awareness of sexual harassment and assault on Twitter and Facebook. The original call for stories looked like this: “If every person who has been sexually harassed or assaulted wrote “Me too” as a status, we might give people a sense of the magnitude of the problem.” In my original Facebook post I left out a very important detail to this story, the part where I wished someone had told five year old me what I told my daughter. For all men and women who get this, thank you. Your voices, examples, and actions make a difference. For those who never considered what happened to them in the hallways or playground as sexual harassment or assault and have now realized that snapping bra straps, flipping up skirts, and chasing girls to kiss them is a forerunner to more serious issues, this can be an eye-opening experience. Let’s teach our children better and resist ideas that downplay these incidents as kids will be kids.
Elsie Park is soft-spoken, unassuming, warm, and generous. She’s the kind of person who goes out of her way to make sure everyone is welcomed and comfortable, the kind of person who drops off a meal or an encouraging note simply because she recognizes a need. She makes honest human connections and is one of those rare souls who truly cheers and delights in others’ successes.
What many don’t know is she’s a complete badass in disguise.
Seriously. This petite, nurturing, and loving wife, mother, and musician used to be a wildfire hotshot, a security guard, and a police officer. You underestimate her talent, drive, and backbone of steel when you put her a June Cleaver box. She chooses to be soft and kind.
It’s no surprise to me that when Jolly Fish Press imploded last October, Elsie grabbed her bootstraps and hiked her way to a new publisher who appreciated her work and talent.
You can read my original review of Shadows of Valor here and her author interview here. It’s a great clean romance story, perfect for those afternoons when you need an escape into a world of knights, intrigue–and cinnamon.
Shadows of Valor by Elsie Park is available in eBook and paperback from Amazon and Barnes & Noble.
Connect with Elsie Park
So humbled and honored that One Truth, No Lie, book three in the Niuhi Shark Saga, is a 2016 Whitney Award Nominee. Mahalo nui loa to all the readers who nominated it.
Author J.F.R. Titchenell, Confessions of the Very First Zombie Slayer (That I Know Of), asked what scares me. Here’s my response.
Picking up The Niuhi Shark Saga, you’d think I was afraid of sharks. It’s right there in the title of the series. In the books people get stalked by sharks, bit by sharks, and die because of sharks. As an island kid growing up in the ocean during the 1970s—the premier Jaws era—it would make a lot of sense.
But sharks don’t scare me.
Being alone and misunderstood does.
You don’t have to be Sigmund Freud to figure out the sub-text of The Niuhi Shark Saga. I grew up a part-Hawaiian, but perpetually sunburned haole-looking girl in Kahului, Maui. From kindergarten through fourth grade, I was the only person with blond hair and blue-eyes in the entire school district, including the staff.
This didn’t change until my family moved to Kalama Valley on Oahu, where in 5th grade at Kamiloiki Elementary there were more kids who looked like me. But nobody spoke Pidgin, which I thought was the language of school. You can imagine my surprise when my teacher, nose in the air, told my mother I needed remedial English lessons and she was recommending me for Resource, which was code for special ed and not in her classroom. I didn’t need English lessons. I just needed to speak as I spoke at home at school.
The shock on Mrs. Goo’s face when I switched mid-sentence from Pidgin to perfect English was almost worth the hell of being in her class.
Almost. I won’t say more, except that when you’re a kid, being good at sports is crucial to overcoming prejudice. That, and a great right hook.
Consequently, a lot of my fiction involves a character that is isolated from others, usually for a reason he or she has no control over. In The Niuhi Shark Saga, Zader is isolated because he’s allergic to water. He’s the weird kid that others put up with because of his popular surfing star brother, Jay.
In One Boy, No Water, Zader fears being left behind if Jay and Char Siu get accepted into Ridgemont Academy for ninth grade. Without Jay around, there’s the real possibility that Zader will be the Blalah’s perpetual punching bag. But as the story progresses, Zader discovers that Jay needs him too, and that being different can be a source of strength.
In One Shark, No Swim and One Truth, No Lie, Zader and Jay learn that anything they love can be taken away. Because of love, Zader sacrifices himself and travels the world alone, wary that he will turn into the monster everyone thinks he is. Jay becomes consumed with revenge, loses his golden boy status, and has to humble himself and learn from others before he can find peace in the ocean again. Both Zader and Jay reject what others think are their destinies, and prove that family are people you choose and not necessarily related by blood.
The Niuhi Shark Saga takes place in modern Hawaii where all the Hawaiian myths, legends, and gods are real, but under the radar of most humans. It’s my hope that readers come away with a deeper understanding of island life than what’s reflected in Hollywood movies and shows like Hawaii 5-0.
And there are sharks. Did I mention the sharks? Monster-sized Niuhi sharks, with mouthfuls of teeth, all-consuming hunger, and extra-sensory perception. They are apex predators without a lick of human remorse or conscience.
Oh, and Niuhi sharks? They can appear in human form. Unlike Jaws, if a Niuhi shark is interested in you, even on land, you’re not safe. There is no bigger boat.
You’re wearing that? No. Go change. It’s too wrinkled. What do you mean there’s no iron? The rental has a coffee maker, a microwave, a washer and dryer, but no iron? Figure it out. You can’t go looking like that.
You, go shave again. Yes, I mean it. See all of this under your chin? That can’t be there. There’s a new razor and shaving cream in my bag in the bathroom. I don’t want to hear how you’re sunburned and itchy, just do it.
We need to buy a lei. No, I don’t want to go to Royal Lei Shoppe. She’ll think that’s too expensive. Safeway has leis. We’ll get one there. Something nice, but not too nice.Why? Because the best is too nice and that’s worse than not bringing anything at all.
No, not that one. See the brown edges? It’s past its prime. None of these look good. We need a fresh lei. I know if we had gone to an actual flower shop like you suggested I’d have better options, but we don’t have time to go somewhere else. On time is late. No, that’s cheap orchids. It’s a tourist lei. The ginger is nice, but it won’t last. Pikake is good, but look, see how the ribbon is crushed? That one is Micronesia-style; she’s Hawaiian. Yes, that matters. Carnation? Are you kidding me? Here. This one: tuberose and ilima. It smells good—and it’s not too cheap, not too expensive.
Yes, I took the Safeway sticker off the box.
Remember, no slouching. Is that gum in your mouth? Get rid of it. Leave your hat in the car. No cell phones. Stay engaged, but do not interrupt. Children are meant to be seen and not heard. If we eat, your fork is on your left; your water glass is on your right. Napkins on your lap first thing. When we’re done, fold your napkin; don’t wad it up. Cloth napkins, honey. I know because it’s always cloth.
Smile. Remember, everything is fine, everybody is good. We’re all good. Yes, everybody. Do not mention You Know Who or You Know What.
Okay, let’s go. Why are you kids freaking out? She’s your great-grandmother. Just be yourself.