Lehua Parker

Talking Story

Peau Book Club, Day-Riverside Branch Library — June 25th, 7 pm
Pacific Islander Heritage Month, Salt Lake City — Aug. 2nd,  6 pm
FanX Fall 2019, Salt Lake City — Sept. 5-7th
Book Academy, UVU Wasatch — Oct. 11th

Presentation: Creating Resonance
20BooksVegas, Las Vegas — Nov. 11-15th

In Hawaii, teachers never ask children to write their full names. There are never enough lines on the paper or time in the day. The reasons for this go back to naming traditions and an unusual law once on Hawaii’s books.

Wanting Hawaii to be more like the west, in 1860 King Kamehameha IV signed the Act to Regulate Names. From 1860 to 1967, all people born in Hawaii were required by law to have a family surname and an English first name, which explains why Robert, William, Mary, and Sarah started popping up in Kamakawiwaole, Asao, and Chung family trees in the nineteenth century.

Because of the naming law it became common in Hawaii’s mixed plate melting pot to give kids a middle name from each branch of the family tree. At a christening the kahu wouldn’t even blink at pronouncing an infant Joseph Makanani Atsushi Manchu Pacheco, except maybe to ask the parents if Makanani was little Joe’s entire Hawaiian name.

Most likely it wasn’t. On birth certificates, parents often list just part of a Hawaiian name, although this trend is changing. For example, my son’s middle name is list as Kalani on his birth certificate, but his full Hawaiian name is Ka Ikaika Mai O Ka Lani Wai. Despite its appearance, in comparison with the Hawaiian names my classmates have given their kids, it’s really only average in length.

As a language, Hawaiian is highly poetic and idiosyncratic. What’s translated literally is frequently not the whole story. Given the ancient Hawaiians’ love of puns and riddles, it’s not surprising that most Hawaiian names have a simple overt translation like “beautiful flower” along with a host of hidden and layered meanings. Because of this, the general rule of thumb for Hawaiian names is that the true meaning of a name is whatever the giver or owner say it is, regardless of grammar or literal translation.

In ancient Hawaii, names were precious and powerful, and true birth names were not shared casually. Families called children the equivalent of Stinky, Worthless, Ugly, or Wretched (and worse) to make them unappealing to evil spirits and others who might snatch a prized child. As Hawaiian faded from common daily use, these names lost their meaning and became…well, names. Sometimes these kinds of family nicknames were the only ones recorded or remembered, raising eyebrows when modern genealogists start translating.

Throughout their lives Hawaiians changed their names to commemorate deeds, abilities, or desires and were frequently called different names by family members, close friends, and co-workers. I can imagine the hair-pulling frustration of his majesty’s census keeper as he tried to maintain records in an era where there were no surnames and people changed names on a whim.

Ironically, the English first name/family surname only standardized things on paper. With so many Georges, Johns, and Ruths running around, kids were often called by a nickname or middle name, which made the first day of a new school year particularly fun when you discovered Kawika was really Aloysius or Bartholomew.

Sitting in the dark with the dogs under my feet, kids sleeping upstairs, and husband zonked out on the couch, I take a moment to think about each of my characters in ways that never appear in the novels. How one of them sleeps with a flashlight. How meatloaf reminds another of cat food. The way a character holds a pencil, eats breakfast cereal, or sings along to the radio. More importantly, I think about what each of them desires most, holding fast to the knowledge that for them I can, unlike for my kids upstairs, really make all their dreams come true.

In the middle of the night I want to play fairy godmother and send Cinderella to the ball. She’s had a miserable life, but wait! There’s beauty under the ashes and soot. She dances with the prince, loses a shoe, but in the end he finds her and they live happily ever after in a big palace, dinning on sumptuous calorie-free chocolates with their children who never ever do things like throw up on the carpet or scatter Lego shrapnel down the stairs. Cinderella, eternally blissful in her big poofy sleeved dress, minuscule waist, and tiny glass heels. Sigh. Such a happy, happy life.

Oh, gag. I’m doing it again.

Too often burgeoning authors treat their characters like pampered privileged children, skipping right to the happy ending and bypassing the juicy details of the journey. In these stories dangers lurk in the shadows, something vaguely bad guys in black hats, but it’s all okay; everybody’s wearing a safety helmet and a lifeguard’s on duty; the sharks have teeth, but are vegan and just wanna be friends. These kinds of stories are full of quirky, loveable characters and stirring descriptions of conversations over cups of tea, but usually lack that vital spark called plot.

The real point, Constant Reader, is that as an author I have to love you more and my characters less. I have to find ways to make you fall in love with them and then take you both on a journey that thrills and chills, pausing just long enough to warm you back to your safe zone before plunging you down, down, down to despair and disbelief. Rather than the maudlin fairy godmother paving Cinderella’s path to happiness, I have to be Murphy’s Law, the minefield under the playground, the shark in the idyllic lagoon.

Cup of tea, anyone?

People often ask me what their name is in Hawaiian. The request isn’t as odd as it sounds; if you’ve ever traveled to Hawaii, I’m sure you were overwhelmed with all the kitsch offered in stores personalized with Your Hawaiian Name Here!, everything from cheap plastic placemats to high-end solid gold jewelry. It’s a source of endless fascination for tourists who want to make a connection with something exotic.

Unfortunately, the idea of plug and go translations of non-Hawaiian names into Hawaiian is also among biggest shibai exports about Hawaiian culture, right next to pineapple on pizza and coconut bras.

Back in the 1800s, when missionaries translated spoken Hawaiian into a written language, they used only 12 letters of the English alphabet (a, e, i, o, u, h, k, l, m, p, w) and added two punctuation marks (the kahakō and ‘okina) to help convey the way a word is pronounced.  In addition to using only half of the English alphabet, Hawaiian words never contain two consonants together and never end in a consonant. To the English speaker, it’s all a bunch of  broken and elongated vowel sounds sprinkled with a random h, k, or m.

Which got some akamai kanaka thinking: if I can come up with an easy and consistent way to take non-Hawaiian names and give them a Hawaiian twist, I’ll laugh all the way to the bank. Developed over 150 years ago, most non-Hawaiian to Hawaiian name translations are based on a simple letter/sound substitution system that doesn’t allow double consonants or consonant endings. This hidden system gives the illusion of authenticity and explains why name translations are so consistent across various sources and so consistently wrong.

Take Katherine, for example. It’s my mother’s name and a source of endless amusement to my part-Hawaiian father. “Katherine” is “Kakalina” in Your Hawaiian Name Here! translations. It’s also the Hawaiian word for gasoline, super hilarious in a couple of pau hana beers way since my Dad worked for Chevron in Hawaii and later owned a gas station. In typical Hawaiian tradition, he gave her expensive gold bracelets, rings, and necklaces all proudly proclaiming Kakalina in black enameled script. He said that way he could write them off as advertising.

Most of the time the Hawaiian name translations result in pure gibberish. Most of the time. Sometimes they are pee your pants hilarious to those who know a little of the language, making my mother’s gasoline jewelry look merely quaint.

All of which is too bad, really, when you understand the importance names hold in Hawaiian culture. Real Hawaiian names are a sacred, serious business that require much thought, prayer, and consultation among family and friends before being bestowed. (More on this in an upcoming blog.)

If someone really wants to know what his or her name is in Hawaiian, I’ll ask for the origin and meaning behind the name and look for a comparable Hawaiian word or phrase.

Katherine is Greek in origin and is often translated as “pure.”  Hemolele is a Hawaiian word with connotations of flawless, holy, saintly, pure in heart, complete, and person without fault—far more beautiful and accurate for my mother than gasoline.

When it comes to Hawaiian names, keep in mind that Hawaiian words are highly poetic and layered in meaning; things are not always what they seem. It also pays to know who you’re asking. When pestered once too often at a family party on the mainland, Mr. Hilarious once told a nephew that his name in Hawaiian was ‘Okole, which is what my cousin told his friends to call him. Years later when I met up with this cousin and some of his friends, I had to pull him aside and tell him he needed a new nickname. He’d been the literal butt of my father’s joke long enough.

There’s been a lot of debate in the blogosphere lately about the future of digital books. Most of the debates center around price point, format, and distribution channels. Traditional publishers are bemoaning the self-publishing frenzy as the death of good, quality fiction that has at least kissed an editor and proofreader’s desks, and big eBook distributors like Amazon and Barnes & Noble are fighting over formats, traditional vs. wholesale pricing models, and proprietary content. Small imprints and large publishing houses alike are clamoring that Amazon is trying to seduce authors away from them and into the brave, new world of self-publishing, while authors are busy running numbers, looking for the magic option that allows them to make rent next month. It’s all about getting a bigger slice of the digital book pie.

From what I’ve seen, most industry players think of eBooks as digital versions of print on a  page. Out of all the work they do to create a print book—from editing, book design, and marketing—most simply take the final text file and tweak it so it looks good on various eReaders and add a jpeg of the book cover. There are several easy to use and inexpensive software programs that do a reasonable job of creating digital books from text files; it’s no wonder that many authors are now choosing to self-publish. Unfortunately, based on the thousand or so eBooks I’ve read on a variety of devices, “reasonable” is really all you get with a digital book, regardless if published by self-starters or the big boys.

Did I mention most people think in terms of simply translating print on a page to print on a screen?

But as an author and former interactive instructional designer, I think the industry is missing a huge opportunity. While the vast majority of adult and young adult fiction works well as Print on a Screen, I think there is a market in the middle grade, chapter, picture, and non-fiction book arenas for what I call Enhanced Interactive versions.

Beyond the current standard of linking to internal dictionaries, providing the capability for user-specific notes, highlights, and bookmarks, and simple chapter-based menu structures, Enhanced Interactive versions elevate the reading experience to a whole new level. For example, an EI version of a book that explores a foreign culture or science concepts could link to additional information embedded in the digital book (but not included in the print version—differentiating and driving more people to the digital version) or maintained on external websites. In picture or chapter books, young readers could color or embellish illustrations, watch characters come to life through animation, or even add their own drawings to stories or new words to pictures—everything from writing an entirely original narrative to the existing illustrations to adding their own wacky nouns, adverbs, and verbs á la mad libs. Cookbooks linked to the internet could provide an outlet for home cooks to share their adaptations, tips, and photos. EI books could even take a cue from  social media to create virtual book clubs filled with all the minutiae an author knows about his characters, plots, and backstories, along with all the things he writes that never (and often for good reason) make it into the book.  For the rabid fan, too much is never enough.

The possibilities are endless; I could write 20 blogs on how Enhanced Interactive versions of various book types could function and the markets they’d appeal to. In a nutshell, simply think of all the ways we game, learn, communicate, and interact with digital media and embed these features in digital text through icons, color cues, menus, tabs—whatever you can imagine. That’s my vision of Enhanced Interactive digital books.

Of course, not all digital books would make great EI books. But designed, targeted, and marketed to the right audiences, EI books have the potential to revolutionize the publishing industry in ways as profound as Gutenberg’s wonderful moveable type and the Kindle’s digital format.

All of  which should be good news to traditional publishers. Since creating versions of digital books that go beyond print on a screen requires skill sets and deeper pockets most self-publishers possess, this EI market fits squarely into the bailiwick of imprint and large publication houses. Properly managed, publishers could turn their versions of EI digital books into virtual seals of approval, allowing them to quietly reassume their self-appointed gate-keeper roles as guardians of good writing and purveyors of quality product.  The crowd goes wild.

I know just the series to start.

Among my bibliophile friends, I’m the only one who loves eBooks. When you read as many and as fast as I do, being able to keep a stack of novels on hand without hauling a small trailer around is a definite plus. So is packing an eReader or smart phone into a purse instead of a 700+ page hardback the size of a loaf of bread. I also like being able to change the size of the font with a flick of the thumb so I can read without my glasses. There are still many nights when I read far longer than I should, but the side table light no longer shines in my husband’s eyes when he’s trying to sleep. He probably considers that a plus, too.

Unlike most digital gadget owners, in those odd moments of waiting for piano or soccer practice to end, I’d rather pick up my phone and lose myself in a novel instead of playing another round of Angry Birds. In our house book apps in all their forms are on everything—smart phones, Kindles, IPads, IPods, laptops, desktops, and Nooks. Our four family members share accounts and content, so it’s not unusual for two of us to be reading the same digital book. It works well if everyone disables auto-sync and uses a virtual bookmark. The kids also like having the literature they’re studying in school available on their IPods, so they can tell me they’re studying when they’re probably doing something else. I especially like that most of the classics they’re studying can be downloaded  for free and don’t result in overdue library fines.

I made the switch to mostly eBooks when the first Kindle came out. Back then new releases were about half the cost of a hardback, a significant savings for someone who devours new fiction like potato chips, and while I did miss passing around books I’d finished, I no longer had to worry about where I was going to put them all if I got them back.

As an adult I’ve found most books are like a box of tissues; I read them once then toss. It’s the same with movies; I almost never want to watch a movie twice, even ones I really like. For me, knowing what’s going to happen seems to suck the joy right out of the experience, like a balloon minus the helium or a wrapper minus the candy.

But things were different when I was a kid. You could argue that books and movies were rarer back then and that would be true. However, I’ve seen this with my own and other kids who grew up with over-flowing cornucopias of books. Favorite children’s books are read and re-read. They’re treasured.

Over the years almost all of my adult books have migrated to the local library or thrift shop. However, through the years I’ve kept the books I owned as a child along with most of my kids’ children’s books. Packed away in waterproof  boxes in the basement are Dr. Seuss, the Magic Tree House, Lemony Snicket, Harry Potter, and friends, all patiently waiting for the next generation of young readers to discover their words and worlds. I find a sense of peace in knowing that regardless of changing digital formats, battery life, screen glare, and economic upswings and downturns someday some little kid will get to hold a well-loved and often read book. He or she will get to turn the pages and step into the story, stray crayon marks, peanut butter-jelly thumbprints, and all.

So even though I really love the practicality of eBooks, when Jolly Fish Press said they wanted to publish One Boy, No Water and the rest of the Niuhi Shark Adventure Series as hardback children’s books, I was thrilled. After all, it’s tough pack an eBook in the basement for the grandkids.

I admit it. I’m not a scrapbooker. I have boxes and files of my children’s lives stashed in random places in my office and in directories on my computer because I know this stuff is too important to throw away, but the thought of sorting through it all to create a meaningful tapestry gives me hives. So when I started getting invites from friends to join Pinterest, the image sharing social networking site, I ignored them. After all, did I really need to spend more time looking at cute bedroom designs I’d never use or read recipes for dishes I’d never cook? Did I mention I’m not the scrapbooking type?

But a couple of days ago, Kirk Cunningham, my publicist at Jolly Fish Press, sent me an email detailing what he wanted me to do with social media to promote my book One Boy, No Water and The Niuhi Shark Adventure Series. Pinterest was on his list, although he listed it only as an option rather than a must do like Facebook and Twitter. Thinking perhaps someday some bored tech savvy tween or teen might check out Pinterest, I half-flippantly wrote back that I was thinking about creating some Pinterest boards based on the main characters. I set up an account and started playing around, first looking for images of food I describe in the book. You know us Hawaiians; it’s all about the food.

Oh. My. Pinterest.

A few clicks and suddenly all of the images in my head about my characters’ likes and dislikes exploded onto the screen. I realized I could pin images about places, food, activities, music—everything from hula halaus to old pineapple plantation hip waders to custom surfboard art—to create complete character profiles and share them with anybody who wanted to know more about the people in my books, more than I could ever write in a novel. Characters who were already living and breathing in my own head could come alive in ways I didn’t anticipate.

Holy cow. What a way to blow an afternoon!

Pinterest as a character design tool is not perfect. Many of the images I wanted to pin to a character didn’t work, probably due to an issue with the originating site not wanting to share images. I get it, but it’s frustrating. I also have to remind myself not to switch back and forth in my descriptions from author to character. I finally decided to create these boards as if they were done by the characters themselves to keep the descriptions from feeling a little schizophrenic. Besides, if a picture is really worth a thousand words, I don’t think I really need to add much, which is probably why most of my pins are labeled in caveman speak.

Still, I gotta admit, it’s a lot more fun than I ever imagined. Maybe someday I will get those scrapbooks organized. (Don’t hold your breath!)

To see how the character profiles are evolving, check out Lehua Parker on Pinterest: http://pinterest.com/lehuaparker/

The Hunger Games movie opens this weekend. My kids and I been waiting for over a year to see how this story and characters transition to the screen, sighing or exclaiming over every casting choice and set design chronicled in Entertainment Weekly. Wanting to be surprised, my son has refused to watch any trailers and has resorted to sticking his fingers in his ears when the ads come on tv.

I just finished re-reading the series and fell in love with Suzanne Collins’s imagination and writing style all over again. Like all really good fiction, it’s a story that can be read on many levels. It’s a little unfortunate that the one generating the most buzz around the tween and teen sets is about the love triangle between Katniss, Peeta, and Gale.

This is particularly frustrating to Aaron, my 14-year-old son. “Did any of these people actually read the book? Team Peeta? Team Gale? Get real.”

Cheryl, my 12-year-old daughter agrees. “This is not about the boys. It’s not even about the girl and the boys. It’s about Katniss. I hope the movie doesn’t screw that up.”

Me too. While The Hunger Games is ultimately a story about love, it’s not about the kind of teenage puppy love that features so prominently in Young Adult fiction. Aloof and prickly Katniss loves deeply; it is her greatest strength and weakness; it is her weapon and her shield. The arch villains in the novel—Snow and Coin—don’t understand love and that ultimately leads to each of their downfalls. Snow fails to understand that “forbidden” love is the biggest form of rebellion and galvanization to action, and Coin, well, what can you say about someone who thinks marriage is no more than a new housing assignment? It’s an epic failure on both their parts to understand that what motivates Katniss is not power, political change, safety, or even fear of death. It’s love for those she calls family that motivates Katniss to greatness, that throws her into a spotlight she’d rather not seek. As Machiavellian as some of her actions are, it’s her underlying motivation of love for her family that elevate her character into a real three-dimensional personality and out of the clichés of so much of Young Adult fiction.

Katniss is a pawn, but a pawn with teeth and claws. She can be manipulated, yet also understands something of the dance of illusion versus reality she has to move through to survive in Panem. She wastes very little time bemoaning how unfairly life in the Districts compares with the Capitol. Collins is a master of showing the contrasts and letting the reader come to the logical conclusion. Katniss doesn’t deal with what should be; she deals with what is right in front of her, and this keeps the novels from bogging down into an Orwellian treatise on human nature while still developing much deeper themes than survival and teen romance.

I can’t recall another character in fiction quite like her. Team Katniss anyone?

Remember those timed reading tests in elementary school? At high tech Kahului Elementary in 2nd grade, I remember my teacher pushing play on a cassette tape and then watching me as I read aloud and moved my finger along the text, keeping pace with the voice on the cassette. She held bent soda bottle caps in her hands and each time you met one of the milestones, she’d set one down on your desk. When you had three you were done. In the spirit of those timed tests, here’s a link where you can check out your reading speed. Apparently I’m still above Diamond Head Lemon-Lime, but not yet to Shhtrawbarry. Bummahs!

http://www.staples.com/sbd/cre/marketing/technology-research-centers/ereaders/speed-reader/index.html

From One Boy, No Water

Book 1 of The Niuhi Shark Saga

“The shark,” said Uncle Kahana, finally blinking. “It wen come tangled in the net.” He shook his ice and looked in the bottom of the glass, seeing what we couldn’t imagine. “He jumped in to save the shark.” He gave his glass another shake. “Daddy knew the shark would make die dead if no cut free. He jumped in the lehua water with his long boning knife, grabbing the net through the bloody blossoms, sawing away. When Daddy left the boat, I leaned over the side and looked down into the water. Daddy stay so small and the shark so big! But he kept working, sliding his knife along the side of the shark, slicing through the net. When Daddy got to the last piece of netting trapping its tail, the shark turned, and his knife wen slip, just nicking the tip of the shark’s tail. I thought Daddy was make die dead. He’d freed the shark so it could feed on him more better. But the shark turned and paused. It looked him in the eye, with that fierce, cold Niuhi manō eye, jet black in the water.” Uncle Kahana shivered in the warm night. “Later, I saw that same eye, just one time that day, wen Daddy started for the surface. It looked up into my young eyes peering over the edge of the boat, and I saw its Niuhi heart. I no know what it saw in mines.”

Excerpted from One Boy, No Water by Lehua Parker. Copyright © 2012 by Lehua Parker. Excerpted by permission of Jolly Fish Press, LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

  1. I already did the dishes.
  2. Frizzy? When you say frizzy I think Bozo the Clown. That’s not frizzy at all.
  3. What? That little thing? It’s so small I don’t think anyone noticed.
  4. A Lifetime movie? Sure, I’ll watch the game later.
  5. Wow, your toes are cold! Don’t go higher than my knees.
  6. I hung your laundry in the closet.
  7. I like it a little burnt.
  8. I’ll get up with the kids.
  9. I put new tires on your car.
  10. I saved the last one for you.

How does your significant someone say I love you? Happy Valentine’s Day!

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Get the Books

One Boy, No Water

When you’re allergic to water, growing up in Hawaii isn’t always paradise.

One Shark, No Swim

Because even out of the water, no one’s safe.

One Truth, No Lie

Everything I thought I knew is a lie.