Talking Story

Hawaii book

Rell never imagined an 18th birthday like this.

When Rell’s stepmonster Regina summons her to Lauele, Hawai’i, she knows better than to expect umbrella drinks, birthday presents, and open arms. The most she hopes for is some quality time with her twin step-sisters, a walk on the beach, and a little fun at a charity auction sponsored by her father’s corporation.

From the moment Rell lands in Honolulu, her life turns upside down as she reconnects with her Hawaiian heritage and discovers she’s surrounded by hidden agendas, lies, and ancient family obligations.

To save Lauele and Get Wet Prosthetics, Rell will have to navigate an island filled with Menehune day laborers, a snow goddesses’ vacation rental, a toppled sacred ‘aumakua stone, disappearing clothing, ‘Ilima as a not-so-fairy-godmother, and—worst of all—her stepmonster’s lawyers.

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Rell’s Kiss is a standalone novel inspired by Cinderella. It is Book 2 in Lauele Fractured Folktales, reimagined stories inspired by the world’s oldest tales retold with a Hawaiian twist.

Lauele Fractured Folktales are loosely connected standalone stories in the Lauele Universe that can be read in any order.

Rell’s Kiss features characters from the Niuhi Shark Saga trilogy and other works by Lehua Parker. Chronologically, Rell’s Kiss comes after the events in One Truth, No Lie, Book 3 in the Niuhi Shark Saga trilogy.

EBook available from Amazon and Kindle Unlimited. Paperbacks coming soon!

An earlier version of this story was published as Rell Goes Hawaiian in Fractured Slipper, a collection of Cinderella stories published by Tork Media.

When you’re dating a Niuhi shark in human form, there’s no such thing as a casual Hawaiian fling.

The last thing Justin wants is complications. Jilted at the altar, he’s spending his pre-paid Hawaiian honeymoon alone—sort of. Sasha, his ex, won’t get out of his head. Frustrated, he takes a walk at sunset and discovers a beautiful woman asleep on the sand.

But Pua’s not really a woman.

A shape-shifting Niuhi shark, Pua feels compelled to visit the beach at Lauele. She doesn’t care that it’s forbidden by her father, the ocean god Kanaloa, or that breaking kapu can only end in blood, tears, and teeth. Justin’s a tourist. Here today, gone tomorrow.

Nobody’d even miss him.

What starts out as a casual flirtation soon turns into a high-stakes cat and mouse courtship as neither Justin nor Pua are who—or what—they seem.

Lauele—and their world—will never be the same.

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Pua’s Kiss is a standalone novel inspired by The Little Mermaid. It is Book 1 in Lauele Fractured Folktales, reimagined stories inspired by the world’s oldest tales retold with a Hawaiian twist.

Lauele Fractured Folktales are loosely connected standalone stories in the Lauele Universe that can be read in any order.

Pua’s Kiss features characters from the Niuhi Shark Saga trilogy and other works by Lehua Parker. Chronologically, Pua’s Kiss comes before the events in Birth/Hanau and One Boy, No Water, Book 1 in the Niuhi Shark Saga trilogy. It tells the story of how Zader’s parents met and the events that ignited the Niuhi Shark Saga trilogy.

EBook available from Amazon and Kindle Unlimited. Paperbacks coming soon!

An earlier version of this story was published as Pua’s Kiss in Fractured Sea, a collection of Little Mermaid stories published by Tork Media.

 

Here’s da ting: according to Lee A. Tonouchi, “People BORN Pidgin, gotta be free for LIVE Pidgin.”

He’s not wrong.

In this short treatise derived from his real world experiences in mastering and teaching English in Hawaii, Lee Tonouchi—Da Pidgin Guerrilla—demonstrates that not only Pidgin speakers CAN, they CAN with eloquence, intellectual rigor, and knuckles bruised in schoolyard scraps, call out the biases endemic in anti-Pidgin rhetoric and the cultural erasure politics of the myth of Standard English.

But da buggah wen tell ‘em more bettah in Pidgin, yeah? More easy for unnastand without all da haolified words and phrases.

Living Pidgin: Contemplations on Pidgin Culture by Lee A. Tonouchi and published by Tinfish Press is a scholarly dive into what makes a language, who are its guardians and keepers, and how language is identity. Don’t let the size of this book fool you—the thoughts and ideas run wide and deep in this collection of talks and concrete poems.

Like Lee, I learned early on that Pidgin speakers were more defined by perceptions of what they couldn’t do than the realities of what was possible. I’m passionate about islanders telling their own stories in their own words. And as any Hawaiian islander will tell you, when it comes from the heart, it’s in Pidgin.

Fo’real.

Living Pidgin: Contemplations on Pidgin Culture by Lee A. Tonouchi is available in paperback from Amazon.

kino-and-king-jenni-angeli-612x801Kino and the King by Jen Angeli is a middle grade adventure quest set in Hawaii. Cutting to the chase, we need more stories like this one where island kids see themselves as the heroes and Hawaiian culture as something both amazing and ordinary, rather than sensationally exotic.

In the story, 12 year old Kino and her mother move to Hawaii to live with her maternal grandparents in Kalihi, Oahu. With her grandfather ill and her family facing eviction from their home, Kino discovers that she has an ancient destiny to save both Hawaii and her grandfather by going back in time to 1825. There she meets the young Kamehameha III just prior to his ascension to the throne. After meeting with a kahuna at a heiau, it becomes clear that in order to return to her own time,  Kino must go on a quest for four objects gathered from various parts of Oahu—and of course the young prince is going to come along.

As the adventure quest plot unfolds, Jen deftly weaves in aspects of Hawaiian culture and history. Islanders will recognize kapu customs, protocol, and Hawaiian legends such as night marchers, Pele, Kamapua‘a, sacred waterfalls, ‘aumakua, choking ghosts, and magic gourds and calabashes.

1825 is a significant time in Hawaiian history, after the fall of the kapu system and during the first years of the Protestant missionaries’ influence. Hawaii is experiencing the growing pangs of contact with the wider world. In the story there’s a glimpse of the monumental civic and cultural challenges, but Jen is always conscious of her 4th – 8th grade audience and keeps the action moving. Topics are lightly touched upon in a way that can start discussions about these important topics. Kino and the King is respectful of Hawaiian history and culture. Teachers, parents, and librarians will find it provides a springboard for further reflection, study, and inquiry.

But as good as 1825 was, I gotta say I liked the modern conflicts best. Mean girls, romantic interests, class wars, private school snobbery, leasehold vs. fee simple landownership, high cost of living in paradise, afterschool enrichment classes in Hawaiian—it’s all here. Anyone growing up in Hawaii will instantly relate to Kino’s modern world—and those far from home will probably crave spam musubi reading about it.

Readers of The Niuhi Shark Saga books are certain to enjoy Kino and the King. Can’t wait for Jen Angeli’s next adventure.

Kino and the King by Jen Angeli is available in eBook and paperback from Amazon.

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When you’re allergic to water,
growing up in Hawaii
isn’t always paradise.

With Niuhi sharks,
even out of the water,
you’re not safe.

Everything you thought you knew
about Zader is a  lie.