Na Keiki Ka Ua Kilihune Hula Halau

Na Keiki Ka Ua Kilihune Hula Halau

On Saturday, November 17, 2012, at the Layton Barnes & Noble, Na Keiki Ka Ua Kilihune Hula Halau performed at my book signing for One Boy, No Water.

After a welcoming oli, Kumu Hula Barcarse taught us about the Hawaiian alphabet through a song and hula I learned when I was their age! These talented kids performed using kala’au (wooden sticks) and niu (coconut shells) and chanted and sang as they danced. One of the crowd favorites was a lively Samoan dance accompanied by Kumu’s ‘ukulele. For some of the kids, at four years old, it was their first ever performance. (Special aloha goes out to the Dads who performed with their kids. You guys get my vote for Father of the Year.)

Too bad Aunty was so busy watching na keiki, she only got a few photos!

Mahalo nui loa to Kumu Barcarse and the youngest members of his dance school for their gift of hula, oli, and mele. They brought a lot of warm aloha to wintery Utah!

 

Learning ‘Ōlelo: Fo’days

Fo’days:

(Fo’ DAZE)  Adj. Hawaiian Pidgin for a very long time, too long, forever, a lot, too much.

Example

“Wow, Uncle Kahana, you get mango fo’days!”

Note: ‘Ōlelo is a Hawaiian word meaning language, speech, word, etc.  To see the current list of Hawaiian and Pidgin words, definitions, and usage please click on

Pidgin Dictionary

 

When Religion and Fiction Collide

When Religion and Fiction Collide

All right, I confess. In One Boy, No Water, when I first wrote that Zader was allergic to water I didn’t think all the implications through. I was looking for a way to explain all the fiery pain and blisters that appear when water touched his skin that Liz, his adoptive mother, would buy and Uncle Kahana, who suspects the real reason, could say. An allergy excuse popped into my head. It was simple, sort of believable, and most people have enough experience with allergies not to wonder about it too much.

The first problems were easy to solve. Bathing? Zader uses oil and a raw sugar scrub to remove dirt and dead skin like the ancient Romans and Greeks did, although they used sand or salt instead of sugar. Rain? Carry an umbrella. Beach? Water-proof suit. Drinking? Once water’s past his lips, I decided, there’s no real problem, just some tingling, plus anything like juice or soda that’s not pure water is fine, just gotta watch out for condensation on the outside of a glass.

It’s good to be the king and make all the rules.

But after One Boy, No Water hit the bookstands, two things happened. First, I discovered that there really were people in the world who suffered from Zader’s condition. (The allergy one, not his real one, of course. If there are people in the world with his real problem, life is far more interesting and complicated than even I imagined and that’s saying a lot.)

Secondly, a waaaay too precocious child who lives in our neighborhood named Tate (Tater to his friends) read the book—and liked it. A lot. Tater tends to think deep thoughts about things that capture his imagination, and he likes to bounce his ideas off adults. His mind fascinates me; there’s a pretty rigid framework of how the world should work—like most kids his age, fairness is a big thing with him—from which he launches breathtaking flights of fantasy blended with reality. He makes connections between things that most never consider, like his opinion that scientists need to create a vaccine for bird flu. For birds. That way the birds won’t get sick with a flu that could mutate into something that destroys the human race.

I know!

When you meet a young mind like this, you have to be careful not to stifling creative thought by bombarding it with too many adult concepts. You have to consider the real question. His solution to bird flu is less about science and more about a fear of something out of his control that destroys the human race, i.e. his family. The best response isn’t a technical explanation of all the reasons his idea is doomed to fail, but rather questions that eventually lead him to better understand and cope with his underlying fear.

As I said, his friends call him Tater.

Tater wandered over one afternoon to ask me a profoundly serious question: how was Zader baptized? Did I mention in addition to precocious he’s earnestly religious? With him, religion is kinda like remarking chocolate tastes good and hearing his “Well, duh,” response. Tater liked Zader, and his faith taught that baptism is essential, and not by a sprinkle, but by full immersion. Tater was concerned.

And I was a little trapped. You see, I feel very strongly that a person’s belief system, religious or not, must always be respected, and like Horton the elephant said, a person’s a person no matter how small.

Now I could have spent all day explaining to Tater the difference between fiction and reality, discussed religion as allegory or relative truth, or even said something flippant like they’d coated Zader in Crisco before baptizing him so the water didn’t touch his skin. But Tater sincerely wanted to know; he really cared about the answer.

For once, my brain engaged before my mouth and instead of saying all the knee-jerk adult things that popped into my head, I just smiled, shrugged my shoulders, and said I’d have to get back to him on that. Satisfied for the moment, he’d skipped back to his house, but I knew Tater wouldn’t forget. I’d have to come up with an answer.

Eventually I did what I usually do when I’ve thought and thought about something and haven’t a clue. I woke my husband up in the middle of the night to ask his opinion.

He looked at the clock. “Lehua, it’s three in the morning.”

“Is it?”

“Seriously. This is what keeps you up all night?”

“Not all nights.”

He rubbed his eyes and tried to focus. “Tater knows Zader’s fictional, right?”

“I think so. But there are people out there who can’t have water touch their skin. It’s not entirely hypothetical.”

“Tater and his questions,” he muttered. “Instead of encouraging him to read, somebody ought to hide his books and teach him to shoot baskets.” He thought for a moment. “Crisco,” he said.

“Thought of it.”

“And?”

“It doesn’t feel right.”

He sighed. “Is this your question or Tater’s?”

I just looked at him.

He shook his head and stared at the ceiling. “Okay, what if the water isn’t the important thing in a baptism? Clean water, dirty water, salt water, fresh water—none of that seems to matter. It’s the immersion that seems most important in Tater’s religion. So if Zader was a member of  Tater’s church, they’d fill a deep enough container with some kind of liquid he could tolerate and dunk him that way.”

“Would other the members accept it, though?”

“You’re asking me if a fictitious group of religious people would consider a theoretical baptism by immersion in a vat of melted chocolate kosher for a character in a book who’s allergic to water?”

I nodded.

He reached over and flicked off the light. “Yes,” he said, “they would. God’s grace and all that jazz. I’m going back to sleep. In the morning I’m hunting Tater down before school and teaching him how to throw a baseball.”

Olive oil, Kool-Aid, ice tea, guava juice—it makes as much sense as water, I guess. On a whim I went back to my computer and googled ‘can’t be baptized by immersion due to water allergy.’ To my utter amazement, I found several pontifications posts about it, most saying it was proof that God either didn’t exist, was a closet sadist, or played favorites—fill in your own anti-Christian baptism slogan here. A few mentioned divine grace making up what a willing spirit wanted, but weak flesh could not endure, citing references in the Bible where God seemed to make exceptions to some of His rules. The things insomniacs learn at four in the morning.

I talked it over with Tater, and he decided that God gave Zader his water allergy because he was special, so special he didn’t need baptism. Told you this kid was a deep thinker.

Personally, I was rooting for the vat of  gooey chocolate, but what can you do? It’s Tater’s belief system after all.

 

An Evening at the Cirque du Soleil

An Evening at the Cirque du Soleil

Friday night the family and some friends went to see Cirque du Soleil’s Quidam. I’d seen other Cirque du Soleil shows, so I knew what to expect. My son Aaron not so much.

“Clowns!” He shuddered as we walked up the steps.

“Yeah. I told you it was a circus.”

“You’ve taken me to the circus. I remember the circus. Lots of red and gold. Elephants. Tigers. Girls in skimpy clothing sparkling on a trapeze.”  He gestured to the posters lining the walls. “Who in their right mind does a clowns-only circus?”

“Not orange wigged with big red noses and floppy shoes,” I said. “More refined. Think Marcel Marceau.”

French clowns,” he glowered.

“French Canadian,” I said. “There’s a difference.”

He sniffed. “There better not be any audience participation. Especially not involving clowns.”

“Uh, probably not,” I said as I spotted a mime stalking a level below us, randomly plucking people from their seats, adjusting a tie, flirting with a pretty girl, rubbing a bald man’s head for luck. “Here,” I said, handing him some cash, “Go get a snack.”

“Aaron still wearing his costume?” my husband Kevin asked as our son slipped down the aisle.

“Yeah. Surly Teenager,” I said, referring back to my response a few days ago when the kids’ piano teacher asked about Aaron’s non-costume at the Halloween recital.

“He really hates clowns,” Kevin mused.

“I noticed.”

“Goes back to the Halloween when he was two and the clown waiter at Olive Garden honked his nose at him. It’s like he has a big neon sign with an arrow over his head and a target on his back. Remember the rodeo clown this summer? Chased Aaron all the way up the bleachers pretending to steal his fries.”

“The audience thought Aaron was joking back,” I said.

“Not me. I saw the terror in his eyes when he realized the clown was following him up the stairs.”

I shrugged. “He might have been playing along.”

Kevin scoffed. “Playing? Try panic. He shrieked like a girl with a spider in her hair and sprinted to the top trailing fries and ketchup.”

“His seat was up there,” I said.

“Jeff was up there. Don’t you remember? Jeff stood up and Aaron cowered behind him.”

I smiled. “That’s what 6’6” uncles are for. Plus it got a big laugh.” I frowned. “Maybe sending him to get a snack wasn’t such a good idea.”

“Clowns. He hates them,” said my husband warming to his topic like a preacher on Sunday. “He’d rather swim with sharks.”

“That can be arranged,” I said.

A little while later Aaron was back in his seat munching on popcorn, the mime was safely backstage, and the house lights dimmed. A spotlight shone on a bored young girl meandering in a living room while her parents read the paper and ignored the thunderstorm outside. A headless giant carrying an enormous umbrella knocked on the door, entered, and handed the girl his hat.

“I don’t get it,” whispered my daughter Cheryl in my ear.

“Shhhhh!” I said. “Just watch.”

The giant left, the girl put the hat on her head, and Cirque du Soleil’s version of  the Cat in the Hat with Thing 1 and Thing 2 in tow appeared next, tilting the world sideways. The living room furniture with parents still seated flew to the rafters while a German guy inside a silver ring started spinning center stage.

“What? What’s going on?” Anxiety and confusion rained down as Cheryl practically climbed into my lap.

“It’s all her imagination! Shhhhh! Watch!” I growled.

“She’s got one messed up mind if this is her imagination,” muttered Cheryl, slinking back to her chair.

Cheryl pestered. What was going on, why were all these weird people on stage, and how come the girl’s parents didn’t react to any of it? She wanted to get a handle on the story. An evening at the Cirque is more like a concert than a play. Cheryl’s not mentally wired for a theme thinly disguised as a plot, something that exists to conveniently link all the pieces together as they explore concepts as squishy as imagination and childhood play. She’s my tenacious one, the one least easily distracted, the one who prods what’s on her plate, always wanting chicken to look like chicken and to hold all the sauces, please. Taking my cue from the high-flying parents now sinking out of sight behind the orchestra, I ignored her.

I let the magic happen.

And it did. I watched my kids get drawn into the performances, relaxing and letting their guards down as the colors, sounds, and energy washed over them. They stopped worrying and thinking and began experiencing. Crafted and honed so that the impossible seemed effortless, the acts were splendid, building thrills and laughter throughout the show in stormy rollercoaster waves. It was, quite simply, wonderful.

And Aaron’s favorite part? The scenes with the clowns and audience participation!

Learning ‘Ōlelo: Radical

Radical

(RAD-ee-koh) Adj. Hawaiian Pidgin for extreme, pushing limits and boundaries, on the edge. Sometimes shortened to “rad” or used as “radical out” to describe something radical to the max.

Example

“Ho, Jay was on the edge of his board balancing j’like he was Jackie Chan! I thought no way, but then he wen snap his board back from the jaws of death. He so radical!”

Note: ‘Ōlelo is a Hawaiian word meaning language, speech, word, etc.  To see the current list of Hawaiian and Pidgin words, definitions, and usage please click on

Pidgin Dictionary